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Index
 

 

 

 

 

 

 

 

11
THE ADVENT
-
-
-
3
THE
33
15
6
6
ADVENT
66
21
3
9
THE ADVENT
99
36
9
-
-
9+9
3+6
-
2
THE ADVENT
9
9
9

 

 


 

 

 

 

..

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

... ......................................

... ......................................

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
=
7
=
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
=
7
=
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
=
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
=
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
=
9
=
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
=
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
=
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
9
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
A
Z
-
-
-
-
-
1
8
+
=
9
=
9
B
Y
-
-
-
-
-
2
7
+
=
9
=
9
C
X
-
-
-
-
-
3
6
+
=
9
=
9
D
W
-
-
-
-
-
4
5
+
=
9
=
9
E
V
-
-
-
-
-
5
4
+
=
9
=
9
F
U
-
-
-
-
-
6
3
+
=
9
=
9
G
T
-
-
-
-
-
7
2
+
=
9
=
9
H
S
-
-
-
-
-
8
1
+
=
9
=
9
I
R
-
-
-
-
-
9
9
+
=
18
1+8
9
J
Q
-
-
-
-
-
1
8
+
=
9
=
9
K
P
-
-
-
-
-
2
7
+
=
9
=
9
L
O
-
-
-
-
-
3
6
+
=
9
=
9
M
N
-
-
-
-
-
4
5
+
=
9
=
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
126
-
117
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
1+2+6
-
1+1+7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
9

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
-
8
-
-
-
-
-
-
-
-
8
9
+
=
17
1+7
=
8
-
8
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
-
1
2
3
4
5
6
7
-
-
+
=
28
2+8
=
10
1+0
1
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
-
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
-
9
9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
2
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
3
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
4
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
5
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
6
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
7
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
8
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
9
=
9
9
A
B
C
D
E
F
G
H
I
-
-
45
-
-
45
-
45
-
-
-
-
-
-
-
-
-
9
-
-
4+5
-
-
4+5
-
4+5
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
A
B
C
D
E
F
G
H
I
-
-
9
-
-
9
-
9

 

 

9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
-
-
-
-
5
6
-
-
-
+
=
11
1+1
=
2
-
2
-
-
-
-
-
14
15
-
-
-
+
=
11
1+7
=
2
-
2
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
2
3
4
-
-
7
8
9
+
=
34
3+4
=
7
-
7
-
10
11
12
13
-
-
16
17
18
+
=
97
9+7
=
16
1+6
7
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
10
11
12
13
14
15
16
17
18
+
=
126
1+2+6
=
9
-
9
9
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
-
9
-
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
-
+
=
2
occurs
x
2
=
2
-
-
-
3
-
-
-
-
-
-
+
=
3
occurs
x
3
=
3
-
-
-
-
4
-
-
-
-
-
+
=
4
occurs
x
4
=
4
-
-
-
-
-
5
-
-
-
-
+
=
5
occurs
x
5
=
5
-
-
-
-
-
-
6
-
-
-
+
=
6
occurs
x
6
=
6
-
-
-
-
-
-
-
7
-
-
+
=
7
occurs
x
7
=
7
-
-
-
-
-
-
-
-
8
-
+
=
8
occurs
x
8
=
8
-
-
-
-
-
-
-
-
-
9
+
=
9
occurs
x
9
=
9
9
J
K
L
M
N
O
P
Q
R
-
-
45
-
-
45
-
45
-
-
-
-
-
-
-
-
-
9
-
-
4+5
-
-
4+5
-
4+5
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
9
J
K
L
M
N
O
P
Q
R
-
-
9
-
-
9
-
9

 

 

8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
6
-
8
+
=
15
1+5
=
6
-
6
-
19
-
-
-
-
24
-
26
+
=
69
6+9
=
15
-
6
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
2
3
4
5
-
7
-
+
=
21
2+1
=
3
-
3
-
-
20
21
22
23
-
25
-
+
=
111
1+1+1
=
3
-
3
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
19
20
21
22
23
24
25
26
+
=
180
1+8+0
=
9
-
9
-
1
2
3
4
5
6
7
8
+
=
36
3+6
=
9
-
9
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
1
=
1
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
2
=
2
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
3
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
4
=
4
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
5
=
5
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
6
=
6
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
7
=
7
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
8
=
8
8
S
T
U
V
W
X
Y
Z
-
-
36
-
-
36
-
36
-
-
-
-
-
-
-
-
-
-
-
3+6
-
-
3+6
-
3+6
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
9
-
9
-
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
8
S
T
U
V
W
X
Y
Z
-
-
9
-
-
9
-
9

 

 

9
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
-
A
B
C
D
E
F
G
H
I
-
-
-
-
-
-
9
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
-
10
11
12
13
14
15
16
17
18
+
=
126
1+2+6
=
9
-
1
2
3
4
5
6
7
8
9
+
=
45
4+5
=
9
-
J
K
L
M
N
O
P
Q
R
-
-
-
-
-
-
8
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
19
20
21
22
23
24
25
26
-
+
=
180
1+8+0
=
9
-
1
2
3
4
5
6
7
8
-
+
=
36
3+6
=
9
-
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
9
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-

 

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

3
THE
33
15
6
7
MAGICAL
46
28
1
8
ALPHABET
65
29
2
18
-
144
72
9
1+8
-
1+4+4
7+2
-
9
-
9
9
9

 

 

Z
=
8
4
ZERO
64
28
1
O
=
6
3
ONE
34
16
7
T
=
2
3
TWO
58
13
4
T
=
2
5
THREE
56
29
2
F
=
6
4
FOUR
60
24
6
F
=
6
4
FIVE
42
24
6
S
=
1
3
SIX
52
16
7
S
=
1
5
SEVEN
65
20
2
E
=
5
5
EIGHT
49
31
4
N
=
5
4
NINE
42
24
6
-
-
42
40
-
522
225
45
-
-
4+2
-
5+2+2
2+2+5
4+5
-
-
6
4
-
9
9
9
-
-
-
-
-
-
-
-
-
-
6
4
-
9
9
9

 

 

 

 

 

 

 

Z
=
8
4
ZERO
64
28
1
O
=
6
3
ONE
34
16
7
T
=
2
3
TWO
58
13
4
T
=
2
5
THREE
56
29
2
F
=
6
4
FOUR
60
24
6
F
=
6
4
FIVE
42
24
6
S
=
1
3
SIX
52
16
7
S
=
1
5
SEVEN
65
20
2
E
=
5
5
EIGHT
49
31
4
N
=
5
4
NINE
42
24
6
-
-
42
40
-
522
225
45
-
-
4+2
-
5+2+2
2+2+5
4+5
-
-
6
4
-
9
9
9
-
-
-
-
-
-
-
-
-
-
6
4
-
9
9
9

 

 

 

THE WORLD IS BUILT UPON THE POWER OF NUMBERS

 

 

 

THE ART OF MEMORY

FRANCIS A. YATES 1979

THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE

Page 136

Page 135 (number omitted)

"No study of Shakespeare can begin without some reference to Marlowe, the predecessor, and his mighty line."

"Marlowe's famous play, Docter Faustus is closely based on the English translation of the German Faust-Buch (1587)"

"Page 139

He turns to ask / Page 140 / Mephistopheles about divine astrology, about the elements, and the spheres of the planets. He still has scholarly instincts, and can hear echoes of the universal harmony, although damned.

Awaiting damnation he calls on Christ, and there comes the famous line

" See see where Christs bloud streames in the firmament.11"

 

 

SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT

155 155 58595 3899121 23634 12951451 95 285 699414552

IS 9 IS

9

IS 9 IS

155 155 58595 3899121 23634 12951451 95 285 699414552

SEE SEE WHERE CHRISTS BLOUD STREAMES IN THE FIRMAMENT

 

 

S
=
1
-
3
SEE
29
11
2
S
=
1
-
3
SEE
29
11
2
W
=
5
-
5
WHERE
59
32
5
C
=
3
-
7
CHRISTS
96
33
6
B
=
2
-
5
BLOUD
54
18
9
S
=
1
-
8
STREAMES
100
28
1
I
=
9
-
2
IN
23
14
5
T
=
2
-
3
THE
33
15
6
F
=
6
-
9
FIRMAMENT
99
45
9
-
-
33
-
45
-
522
207
45
-
-
3+3
-
4+5
-
5+2+2
2+0+7
4+5
-
-
6
-
9
-
9
9
9

 

 

KINGDOM OF HEAVEN

 

K
=
2
-
7
KINGDOM
73
37
1
O
=
6
-
2
OF
21
12
3
H
=
8
-
6
HEAVEN
55
19
1
-
-
16
-
15
First Total
149
68
5
-
-
1+6
-
1+5
Add to Reduce
1+4+9
6+8
-
-
-
7
-
6
Second Total
14
14
5
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
7
-
6
Essence of Number
5
5
5

 

KINGDOM OF HEAVEN

 


Kingdom of Heaven - GotQuestions.org

https://gotquestions.org/kingdom-heaven-God.html

What is the difference between the Kingdom of God and the Kingdom of Heaven? Are the phrases interchangeable, or is there a distinction?

The phrase “kingdom of God” occurs 68 times in 10 different New Testament books, while “kingdom of heaven” occurs only 32 times, and only in the Gospel of Matthew.

 

HEAVEN HA EVEN HA HEAVEN

HEAVEN 9 EVEN 9 HEAVEN

HEAVEN HA EVEN HA HEAVEN

HEAVEN EVEN HEAVEN

 

K
=
2
-
7
KINGDOM
73
37
1
O
=
6
-
2
OF
21
12
3
E
=
5
-
4
EVEN
46
19
1
-
-
13
-
13
First Total
140
68
5
-
-
1+3
-
1+3
Add to Reduce
1+4+0
6+8
-
-
-
4
-
4
Second Total
5
14
5
-
-
-
-
-
Reduce to Deduce
-
1+4
-
-
-
4
-
4
Essence of Number
5
5
5

 

 

T
=
2
-
3
THE
33
15
6
K
=
2
-
7
KINGDOM
73
37
1
O
=
6
-
2
OF
21
12
3
G
=
7
-
3
GOD
26
17
8
-
-
17
-
15
Add to Reduce
153
81
18
-
-
1+7
-
1+5
Reduce to Deduce
1+5+3
8+1
1+8
-
-
8
-
6
Essence of Number
9
9
9

 

 

G
=
7
-
3
GOD
26
17
8
G
=
7
-
7
GODDESS
73
28
1
-
-
14
-
10
First Total
99
45
9
-
-
1+4
-
1+0
Add to Reduce
9+9
4+5
-
-
-
5
-
1
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
5
-
1
Essence of Number
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SOPHIA
68
32
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
O
=
6
2
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
P
=
7
3
1
P
7
7
7
-
-
-
-
-
-
-
7
8
-
H
=
8
4
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
5
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
A
=
1
6
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
32
4
12
SOPHIA
68
41
32
-
2
2
3
4
5
6
7
8
9
-
-
3+2
-
1+2
-
6+8
4+1
3+2
-
-
-
-
-
-
-
-
-
-
Q
-
5
-
1
SOPHIA
14
5
5
-
2
2
3
4
5
6
7
8
9
-
-
-
-
1+0
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
Q
-
5
-
1
SOPHIA
5
5
5
-
2
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SOPHIA
68
32
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
2
3
4
5
-
-
-
-
O
=
6
2
1
O
15
6
6
-
-
2
3
4
5
6
8
-
-
P
=
7
3
1
P
7
7
7
-
-
2
3
4
5
-
7
8
-
H
=
8
4
1
H
8
8
8
-
-
2
3
4
5
-
-
8
-
I
=
9
5
1
I
9
9
9
-
-
2
3
4
5
-
-
-
9
A
=
1
6
1
A
1
1
1
-
1
2
3
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
3
4
5
-
-
-
-
-
-
32
4
12
SOPHIA
68
41
32
-
2
2
3
4
5
6
7
8
9
-
-
3+2
-
1+2
-
6+8
4+1
3+2
-
-
-
-
-
-
-
-
-
-
Q
-
5
-
1
SOPHIA
14
5
5
-
2
2
3
4
5
6
7
8
9
-
-
-
-
1+0
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
Q
-
5
-
1
SOPHIA
5
5
5
-
2
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
6
7
8
9
-
-
-
-
-
SOPHIA
-
-
-
-
-
-
-
-
-
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
O
=
6
2
1
O
15
6
6
-
-
6
8
-
-
P
=
7
3
1
P
7
7
7
-
-
-
7
8
-
H
=
8
4
1
H
8
8
8
-
-
-
-
8
-
I
=
9
5
1
I
9
9
9
-
-
-
-
-
9
A
=
1
6
1
A
1
1
1
-
1
-
-
-
-
-
-
32
4
6
SOPHIA
68
41
32
-
2
6
7
8
9
-
-
3+2
-
-
-
6+8
4+1
3+2
-
-
-
-
-
-
Q
-
5
-
6
SOPHIA
14
5
5
-
2
6
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
Q
-
5
-
6
SOPHIA
5
5
5
-
2
6
7
8
9

 

INVOLVE LOVE E LOVE E INVOLVE

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
1
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
2
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
3
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
8
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
10
4
4
ATUM
55
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
5+5
2+0
1+0
-
-
-
-
-
-
-
-
-
-
Q
-
1
-
4
ATUM
10
1
1
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
Q
-
1
-
4
ATUM
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
1
1
A
1
1
1
-
1
-
-
-
5
6
7
8
9
T
=
2
2
1
T
20
2
2
-
-
2
-
-
5
6
7
8
9
U
=
3
3
1
U
21
3
3
-
-
-
3
-
5
6
7
8
9
M
=
4
4
1
M
13
4
4
-
-
-
-
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
6
7
8
9
-
-
10
4
4
ATUM
55
10
10
-
1
2
3
4
5
6
7
8
9
-
-
1+0
-
-
-
5+5
2+0
1+0
-
-
-
-
-
-
-
-
-
-
Q
-
1
-
4
ATUM
10
1
1
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
1+0
-
-
-
-
-
-
-
-
-
-
-
-
Q
-
1
-
4
ATUM
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
-
-
-
-
-
ATUM
-
-
-
-
-
-
-
-
A
=
1
1
1
A
1
1
1
-
1
-
-
-
T
=
2
2
1
T
20
2
2
-
-
2
-
-
U
=
3
3
1
U
21
3
3
-
-
-
3
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
10
4
4
ATUM
55
10
10
-
1
2
3
4
-
-
1+0
-
-
-
5+5
2+0
1+0
-
-
-
-
-
Q
-
1
-
4
ATUM
10
1
1
-
1
2
3
4
-
-
-
-
-
-
1+0
-
-
-
-
-
-
-
Q
-
1
-
4
ATUM
1
1
1
-
1
2
3
4

 

 

HOLY BIBLE

GENESIS

Scofield References

Chapter 1 Verse 27

So God created man in his own image, in the image of God created he him; male and female created he them.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
HOLY BIBLE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GENESIS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Chapter 1 Verse 27
-
3
-
-
3
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
2
SO
34
7
7
-
-
-
-
-
-
-
7
8
-
G
=
7
2
3
GOD
26
17
8
-
-
3
-
-
-
-
-
8
-
C
=
3
3
7
CREATED
56
29
2
-
-
2
-
7
7
-
7
-
-
M
=
4
4
3
MAN
28
10
1
-
1
-
7
7
-
7
-
-
-
I
=
9
5
2
IN
23
14
5
-
-
-
3
-
5
-
-
-
-
H
=
8
6
3
HIS
36
18
9
-
-
-
3
-
-
-
-
-
9
O
=
6
7
3
OWN
52
16
7
-
-
-
-
-
-
-
7
8
-
I
=
9
8
5
IMAGE
35
26
8
-
-
3
-
-
-
-
-
8
-
-
-
47
-
28
-
290
137
47
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
9
2
IN
23
14
5
-
-
-
3
-
5
-
-
-
-
T
=
2
10
3
THE
33
15
6
-
-
-
-
-
-
6
7
-
-
I
=
9
11
5
IMAGE
35
26
8
-
-
3
-
-
-
-
-
8
-
O
=
6
12
2
OF
21
12
3
-
-
-
3
-
-
-
7
-
-
G
=
7
13
3
GOD
26
17
8
-
-
3
-
-
-
-
-
8
-
C
=
3
14
7
CREATED
56
29
2
-
-
2
-
7
7
-
7
-
-
H
=
8
15
2
HE
13
13
4
-
-
-
-
4
-
-
7
-
-
H
=
8
16
3
HIM
30
21
3
-
-
-
3
-
-
-
7
-
-
-
-
52
-
27
-
237
147
39
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
=
4
17
4
MALE
31
13
4
-
-
-
-
4
-
7
7
-
-
A
=
1
18
3
AND
19
10
1
-
1
-
7
7
-
-
7
-
-
F
=
6
19
6
FEMALE
42
24
6
-
-
-
-
-
-
6
7
-
-
C
=
3
20
7
CREATED
56
29
2
-
-
2
-
7
7
-
7
-
-
H
=
8
21
2
HE
13
13
4
-
-
-
-
4
-
-
7
-
-
T
=
2
22
4
THEM
46
19
1
-
1
-
7
7
-
-
7
-
-
-
-
24
-
26
-
207
99
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
123
-
81
First Total
734
383
104
-
3
6
6
12
10
12
14
32
9
-
-
1+2+3
-
8+1
Add to Reduce
7+3+4
3+8+3
1+0+4
-
-
-
-
1+2
1+0
1+2
1+4
3+2
-
-
-
6
-
9
Second Total
14
14
5
-
3
6
6
3
1
3
5
5
9
-
-
-
-
-
Reduce to Produce
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
9
Essence of Number
5
5
5
-
3
6
6
3
1
3
5
5
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
HOLY BIBLE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GENESIS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Chapter 1 Verse 27
-
3
-
-
3
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
2
SO
34
7
7
-
-
-
-
-
-
-
7
8
-
G
=
7
2
3
GOD
26
17
8
-
-
3
-
-
-
-
-
8
-
C
=
3
3
7
CREATED
56
29
2
-
-
2
-
7
7
-
7
-
-
M
=
4
4
3
MAN
28
10
1
-
1
-
7
7
-
7
-
-
-
I
=
9
5
2
IN
23
14
5
-
-
-
3
-
5
-
-
-
-
H
=
8
6
3
HIS
36
18
9
-
-
-
3
-
-
-
-
-
9
O
=
6
7
3
OWN
52
16
7
-
-
-
-
-
-
-
7
8
-
I
=
9
8
5
IMAGE
35
26
8
-
-
3
-
-
-
-
-
8
-
I
=
9
9
2
IN
23
14
5
-
-
-
3
-
5
-
-
-
-
T
=
2
10
3
THE
33
15
6
-
-
-
-
-
-
6
7
-
-
I
=
9
11
5
IMAGE
35
26
8
-
-
3
-
-
-
-
-
8
-
O
=
6
12
2
OF
21
12
3
-
-
-
3
-
-
-
7
-
-
G
=
7
13
3
GOD
26
17
8
-
-
3
-
-
-
-
-
8
-
C
=
3
14
7
CREATED
56
29
2
-
-
2
-
7
7
-
7
-
-
H
=
8
15
2
HE
13
13
4
-
-
-
-
4
-
-
7
-
-
H
=
8
16
3
HIM
30
21
3
-
-
-
3
-
-
-
7
-
-
M
=
4
17
4
MALE
31
13
4
-
-
-
-
4
-
7
7
-
-
A
=
1
18
3
AND
19
10
1
-
1
-
7
7
-
-
7
-
-
F
=
6
19
6
FEMALE
42
24
6
-
-
-
-
-
-
6
7
-
-
C
=
3
20
7
CREATED
56
29
2
-
-
2
-
7
7
-
7
-
-
H
=
8
21
2
HE
13
13
4
-
-
-
-
4
-
-
7
-
-
T
=
2
22
4
THEM
46
19
1
-
1
-
7
7
-
-
7
-
-
-
-
123
-
81
First Total
734
383
104
-
3
6
6
12
10
12
14
32
9
-
-
1+2+3
-
8+1
Add to Reduce
7+3+4
3+8+3
1+0+4
-
-
-
-
1+2
1+0
1+2
1+4
3+2
-
-
-
6
-
9
Second Total
14
14
5
-
3
6
6
3
1
3
5
5
9
-
-
-
-
-
Reduce to Produce
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
9
Essence of Number
5
5
5
-
3
6
6
3
1
3
5
5
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
HOLY BIBLE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
GENESIS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Chapter 1 Verse 27
-
3
-
-
3
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
1
3
MAN
28
10
1
-
1
-
7
7
-
7
-
-
-
T
=
2
2
4
THEM
46
19
1
-
1
-
7
7
-
-
7
-
-
A
=
1
3
3
AND
19
10
1
-
1
-
7
7
-
-
7
-
-
C
=
3
4
7
CREATED
56
29
2
-
-
2
-
7
7
-
7
-
-
C
=
3
5
7
CREATED
56
29
2
-
-
2
-
7
7
-
7
-
-
C
=
3
6
7
CREATED
56
29
2
-
-
2
-
7
7
-
7
-
-
H
=
8
7
3
HIM
30
21
3
-
-
-
3
-
-
-
7
-
-
O
=
6
8
2
OF
21
12
3
-
-
-
3
-
-
-
7
-
-
H
=
8
9
2
HE
13
13
4
-
-
-
-
4
-
-
7
-
-
M
=
4
10
4
MALE
31
13
4
-
-
-
-
4
-
7
7
-
-
H
=
8
11
2
HE
13
13
4
-
-
-
-
4
-
-
7
-
-
I
=
9
12
2
IN
23
14
5
-
-
-
3
-
5
-
-
-
-
I
=
9
13
2
IN
23
14
5
-
-
-
3
-
5
-
-
-
-
T
=
2
14
3
THE
33
15
6
-
-
-
-
-
-
6
7
-
-
F
=
6
15
6
FEMALE
42
24
6
-
-
-
-
-
-
6
7
-
-
S
=
1
16
2
SO
34
7
7
-
-
-
-
-
-
-
7
8
-
O
=
6
17
3
OWN
52
16
7
-
-
-
-
-
-
-
7
8
-
G
=
7
18
3
GOD
26
17
8
-
-
3
-
-
-
-
-
8
-
I
=
9
19
5
IMAGE
35
26
8
-
-
3
-
-
-
-
-
8
-
I
=
9
20
5
IMAGE
35
26
8
-
-
3
-
-
-
-
-
8
-
G
=
7
21
3
GOD
26
17
8
-
-
3
-
-
-
-
-
8
-
H
=
8
22
3
HIS
36
18
9
-
-
-
3
-
-
-
-
-
9
-
-
123
-
81
First Total
734
383
104
-
3
6
6
12
10
12
14
32
9
-
-
1+2+3
-
8+1
Add to Reduce
7+3+4
3+8+3
1+0+4
-
-
-
-
1+2
1+0
1+2
1+4
3+2
-
-
-
6
-
9
Second Total
14
14
5
-
3
6
6
3
1
3
5
5
9
-
-
-
-
-
Reduce to Produce
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
9
Essence of Number
5
5
5
-
3
6
6
3
1
3
5
5
9

 

 

HOLY BIBLE

GENESIS

Scofield References

Chapter 1 Verse 27

So God created man in his own image, in the image of God created he him; male and female created he them.

...

King James Bible

Jesus and Nicodemus

1 There was a man of the Pharisees, named Nicodemus, a ruler of the Jews: 2 The same came to Jesus by night, and said unto him, Rabbi, we know that thou art a teacher come from God: for no man can do these miracles that thou doest, except God be with him. 3 Jesus answered and said unto him, Verily, verily, I say unto thee, Except a man be born again, he cannot see the kingdom of God.

4 Nicodemus saith unto him, How can a man be born when he is old? can he enter the second time into his mother's womb, and be born? 5 Jesus answered, Verily, verily, I say unto thee, Except a man be born of water and of the Spirit, he cannot enter into the kingdom of God. 6 That which is born of the flesh is flesh; and that which is born of the Spirit is spirit. 7Marvel not that I said unto thee, Ye must be born again. 8 The wind bloweth where it listeth, and thou hearest the sound thereof, but canst not tell whence it cometh, and whither it goeth: so is every one that is born of the Spirit.

9 Nicodemus answered and said unto him, How can these things be? 10 Jesus answered and said unto him, Art thou a master of Israel, and knowest not these things? 11 Verily, verily, I say unto thee, We speak that we do know, and testify that we have seen; and ye receive not our witness. 12 If I have told you earthly things, and ye believe not, how shall ye believe, if I tell you of heavenly things? 13 And no man hath ascended up to heaven, but he that came down from heaven, even the Son of man which is in heaven. 14 And as Moses lifted up the serpent in the wilderness, even so must the Son of man be lifted up: 15 That whosoever believeth in him should not perish, but have eternal life.

 

 

JOSEPH OF ARIMATHEA = 171-81-9

 

- Wikipedia
wikipedia.org/wiki/Joseph_of_Arimathea

Joseph of Arimathea was, according to all four canonical Gospels, the man who assumed responsibility for the burial of Jesus after Jesus' crucifixion. A number of stories that developed during the Middle Ages connect him with both Glastonbury, where he is supposed to have founded the earliest Christian oratory, and also with the Grail legend.
Gospel narratives[edit]

Matthew 27:57 described him simply as a rich man and disciple of Jesus, but according to Mark 15:43 Joseph of Arimathea was "a respected member of the council, who was also himself looking for the kingdom of God"; and Luke 23:50–56 adds that he "had not consented to their decision and action".

According to John 19:38, upon hearing of Jesus' death, this secret disciple of Jesus "asked Pilate that he might take away the body of Jesus, and Pilate gave him permission." Joseph immediately purchased a linen shroud (Mark 15:46) and proceeded to Golgotha to take the body of Jesus down from the cross. There, according to John 19:39-40, Joseph and Nicodemus took the body and bound it in linen cloths with the spices that Nicodemus had bought. The disciples then conveyed the prepared corpse to the place previously bought for Joseph's own tomb, a man-made cave hewn from rock in a garden of his house nearby. This was done speedily, "for the Sabbath was drawing on".

JESUS 15131 JESUS

J513S 1ESU1 J513S

JESUS 15131 JESUS

 

ZEUS
MORPHEUS
ORPHEUS
THESEUS
ODYSSEUS
ACHILLEUS
PERSEUS



Z531
MORPH531
ORPH531
THES531
ODYSS531
ACHILL531
PERS531

JESUS 15131 JESUS

J513S 1ESU1 J513S

JESUS 15131 JESUS

 

CHRIST C RISH C CHRIST

SEE THE RISH THE RISH SEE

 

-
-
-
-
5
VIRTUE
-
-
-
V
=
1
-
-
V
22
4
4
I
=
9
-
-
I
9
9
9
R
=
9
-
-
R
18
9
9
T
=
1
-
-
T
20
2
2
U
=
2
-
-
U
21
3
3
E
=
2
-
-
E
5
5
5
-
-
23
-
5
VIRTUE
95
32
32
-
-
2+3
-
-
-
9+5
3+2
3+2
-
-
5
-
5
VIRTUE
14
5
5
-
-
2+3
-
-
-
1+4
-
-
-
-
5
-
5
VIRTUE
5
5
5

 

 

3
THE
33
15
6
6
GOLDEN
57
30
3
6
FLEECE
36
27
9
15
Add to Reduce
126
72
18
1+5
Reduce to Deduce
1+2+6
7+2
1+8
6
Essence of Number
9
9
9

 

 

-
15
T
H
E
-
G
O
L
D
E
N
-
F
L
E
E
C
E
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
6
-
-
-
5
-
-
-
-
-
-
-
+
=
19
1+9
=
10
1+0
1
=
1
-
-
-
8
-
-
-
15
-
-
-
14
-
-
-
-
-
-
-
+
=
37
3+7
=
10
1+0
1
=
1
-
15
T
H
E
-
G
O
L
D
E
N
-
F
L
E
E
C
E
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
7
-
3
4
5
-
-
6
3
5
5
3
5
+
=
53
5+3
=
8
=
8
=
8
-
-
20
-
5
-
7
-
12
4
5
-
-
6
12
5
5
3
5
+
=
89
8+9
=
17
1+7
8
=
8
-
15
T
H
E
-
G
O
L
D
E
N
-
F
L
E
E
C
E
-
-
-
-
-
-
-
-
-
-
-
-
20
8
5
-
7
15
12
4
5
14
-
6
12
5
5
3
5
+
=
126
1+2+6
=
9
=
9
=
9
-
-
2
8
5
-
7
6
3
4
5
5
-
6
3
5
5
3
5
+
=
72
7+2
=
9
=
9
=
9
-
15
T
H
E
-
G
O
L
D
E
N
-
F
L
E
E
C
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
--
-
-
-
-
-
-
-
--
-
-
-
1
ONE
1
-
-
-
-
-
-
-
2
-
-
-
-
-
-
--
-
-
-
-
-
-
-
--
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
-
-
3
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
-
--
5
5
-
-
-
5
5
--
5
-
-
5
occurs
x
6
=
30
3+0
3
-
-
-
-
-
-
-
6
-
-
-
-
-
6
-
-
-
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
--
-
-
-
-
-
-
-
--
-
-
-
9
NINE
9
-
-
-
-
-
10
15
T
H
E
-
G
O
L
D
E
N
-
F
L
E
E
C
E
-
-
35
-
-
15
-
72
-
36
1+0
1+5
-
-
5
-
-
-
-
--
5
5
-
-
-
5
5
--
5
-
-
3+5
-
-
1+5
-
7+2
-
3+6
1
6
T
H
E
-
G
O
L
D
E
N
-
F
L
E
E
C
E
-
-
8
-
-
6
-
9
-
9
-
-
2
8
5
-
7
6
3
4
5
5
-
6
3
5
5
3
5
-
-
-
-
-
-
-
-
-
-
1
6
T
H
E
-
G
O
L
D
E
N
-
F
L
E
E
C
E
-
-
8
-
-
6
-
9
-
9

 

THE GOLDEN FLEECE

 

-
-
-
-
-
THE GOLDEN FLEECE
-
-
-
T
=
2
-
3
THE
33
15
6
G
=
7
-
6
GOLDEN
57
30
3
F
=
6
-
6
FLEECE
36
27
9
-
-
15
-
15
THE GOLDEN FLEECE
126
72
18
-
-
1+5
-
1+5
-
1+2+6
7+2
1+8
-
-
6
-
6
THE GOLDEN FLEECE
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
F
=
6
-
6
FLEECE
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
7
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
7
-
-
D
=
4
7
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
N
=
5
9
1
N
14
5
5
-
-
-
-
-
5
7
-
-
-
F
=
6
10
1
F
6
6
6
-
-
-
-
-
-
6
8
-
-
L
=
3
11
1
L
12
3
3
-
-
-
3
-
-
-
7
-
-
E
=
5
12
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
C
=
3
14
1
C
3
3
3
-
-
-
3
-
-
-
7
-
-
E
=
5
15
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
72
4
15
THE GOLDEN FLEECE
126
72
72
-
1
2
9
4
30
12
7
8
9
-
-
7+2
-
1+5
-
1+2+6
7+2
1+8
-
-
-
-
-
3+0
1+2
-
-
-
Q
-
9
-
6
THE GOLDEN FLEECE
9
9
9
-
1
2
9
4
3
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
F
=
6
-
6
FLEECE
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
7
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
7
-
-
L
=
3
11
1
L
12
3
3
-
-
-
3
-
-
-
7
-
-
C
=
3
14
1
C
3
3
3
-
-
-
3
-
-
-
7
-
-
D
=
4
7
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
N
=
5
9
1
N
14
5
5
-
-
-
-
-
5
7
-
-
-
E
=
5
12
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
E
=
5
15
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
F
=
6
10
1
F
6
6
6
-
-
-
-
-
-
6
8
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
72
4
15
THE GOLDEN FLEECE
126
72
72
-
1
2
9
4
30
12
7
8
9
-
-
7+2
-
1+5
-
1+2+6
7+2
1+8
-
-
-
-
-
3+0
1+2
-
-
-
Q
-
9
-
6
THE GOLDEN FLEECE
9
9
9
-
1
2
9
4
3
3
7
8
9

 

 

-
-
-
-
-
THE GOLDEN RATIO
-
-
-
T
=
2
-
3
THE
33
15
6
G
=
7
-
6
GOLDEN
57
30
3
R
=
9
-
5
RATIO
63
27
9
-
-
18
-
14
THE GOLDEN RATIO
153
72
18
-
-
1+8
-
1+4
-
1+5+3
7+2
1+8
-
-
9
-
5
THE GOLDEN RATIO
9
9
9

 

 

-
14
T
H
E
-
G
O
L
D
E
N
-
R
A
T
I
O
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
6
-
-
-
5
-
-
-
-
9
6
+
=
34
3+4
=
7
-
7
=
7
-
-
-
8
-
-
-
15
-
-
-
14
-
-
-
-
9
15
+
=
61
6+1
=
7
-
7
=
7
-
14
T
H
E
-
G
O
L
D
E
N
-
R
A
T
I
O
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
7
-
3
4
5
-
-
9
1
2
-
-
+
=
38
3+8
=
11
1+1
2
=
2
-
-
20
-
5
-
7
-
12
4
5
-
-
18
1
20
-
-
+
=
92
9+2
=
11
1+1
2
=
2
-
14
T
H
E
-
G
O
L
D
E
N
-
R
A
T
I
O
-
-
-
-
-
-
-
-
-
-
-
-
20
8
5
-
7
15
12
4
5
14
-
18
1
20
9
15
+
=
153
1+5+3
=
9
=
9
=
9
-
-
2
8
5
-
7
6
3
4
5
5
-
9
1
2
9
6
+
=
72
7+2
=
9
=
9
=
9
-
14
T
H
E
-
G
O
L
D
E
N
-
R
A
T
I
O
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
--
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
2
-
2
-
-
-
-
-
-
--
-
-
-
-
-
2
-
-
-
-
2
occurs
x
2
=
4
=
2
3
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
5
-
-
-
-
--
5
5
-
-
-
-
-
-
-
-
5
occurs
x
3
=
15
1+5
6
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
6
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
-
-
-
-
-
-
--
-
-
-
9
-
-
9
-
-
-
9
occurs
x
2
=
18
1+8
9
45
14
T
H
E
-
G
O
L
D
E
N
-
R
A
T
I
O
-
-
45
-
-
14
-
72
-
36
4+5
1+4
-
-
5
-
-
-
-
--
5
5
-
-
-
-
-
-
-
-
4+5
-
-
1+4
-
7+2
-
3+6
9
5
T
H
E
-
G
O
L
D
E
N
-
R
A
T
I
O
-
-
9
-
-
5
-
9
-
9
-
-
2
8
5
-
7
6
3
4
5
5
-
9
1
2
9
6
-
-
-
-
-
-
-
-
-
-
9
5
T
H
E
-
G
O
L
D
E
N
-
R
A
T
I
O
-
-
9
-
-
5
-
9
-
9

 

 

THE GOLDEN RATIO

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
7
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
7
-
-
D
=
4
7
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
N
=
5
9
1
N
14
5
5
-
-
-
-
-
5
7
-
-
-
R
=
9
10
1
R
18
9
9
-
-
-
3
-
-
-
-
-
9
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
7
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
72
4
14
THE GOLDEN RATIO
153
72
72
-
1
4
3
4
15
12
7
8
18
-
-
7+2
-
1+4
-
1+5+3
7+2
7+2
-
-
-
-
-
1+5
1+2
-
-
1+8
Q
-
9
-
5
THE GOLDEN RATIO
9
9
9
-
1
4
3
4
6
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
6
GOLDEN
57
30
3
-
-
-
-
-
-
-
-
-
-
R
=
9
-
5
RATIO
63
27
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
7
-
-
-
T
=
2
12
1
T
20
2
2
-
-
2
-
-
-
7
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
7
-
-
D
=
4
7
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
E
=
5
8
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
N
=
5
9
1
N
14
5
5
-
-
-
-
-
5
7
-
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
10
1
R
18
9
9
-
-
-
3
-
-
-
-
-
9
I
=
9
13
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
72
4
14
THE GOLDEN RATIO
153
72
72
-
1
4
3
4
15
12
7
8
18
-
-
7+2
-
1+4
-
1+5+3
7+2
7+2
-
-
-
-
-
1+5
1+2
-
-
1+8
Q
-
9
-
5
THE GOLDEN RATIO
9
9
9
-
1
4
3
4
6
3
7
8
9

 

 

C
=
3
-
8
CREATORS
99
45
9
R
=
9
-
8
REACTORS
99
45
9
-
-
12
-
16
First Total
198
90
18
-
-
1+2
-
1+6
Add to Reduce
1+9+8
9+0
1+8
-
-
3
-
7
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
3
-
7
Essence of Number
9
9
9

 

CREATORS 99 REACTORS

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
C
=
3
-
8
CREATORS
99
36
9
-
-
-
-
-
-
-
-
-
-
R
=
9
-
8
REACTORS
99
36
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
C
=
3
1
1
C
3
3
3
-
-
-
3
-
-
-
7
-
-
R
=
9
2
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
7
-
-
-
A
=
1
4
1
A
1
1
1
-
1
-
-
-
-
7
-
-
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
-
7
-
-
O
=
6
6
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
R
=
9
7
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
8
1
S
19
10
1
-
1
-
-
-
-
7
-
-
-
R
=
9
9
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
10
1
E
5
5
5
-
-
-
-
-
5
8
8
-
-
A
=
1
11
1
A
1
1
1
-
1
-
-
-
-
7
-
-
-
C
=
3
12
1
C
3
3
3
-
-
-
3
-
-
-
7
-
-
T
=
2
13
1
T
20
2
2
-
-
2
-
-
-
-
7
-
-
O
=
6
14
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
R
=
9
13
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
16
1
S
19
10
1
-
1
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
72
4
16
CREATORS REACTORS
198
90
72
-
4
4
6
4
10
12
7
8
36
-
-
7+2
-
1+6
-
1+9+8
9+0
2+8
-
-
-
-
-
1+0
1+2
-
-
3+6
Q
-
9
-
7
CREATORS REACTORS
18
9
9
-
4
4
6
4
1
3
7
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
Q
-
9
-
7
CREATORS REACTORS
9
9
9
-
4
4
6
4
1
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
5
6
9
C
=
3
-
8
CREATORS
99
36
9
-
-
-
-
-
-
-
R
=
9
-
8
REACTORS
99
36
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
5
6
9
C
=
3
1
1
C
3
3
3
-
-
-
3
-
-
-
R
=
9
2
1
R
18
9
9
-
-
-
-
-
-
9
E
=
5
3
1
E
5
5
5
-
-
-
-
5
7
-
A
=
1
4
1
A
1
1
1
-
1
-
-
-
7
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
-
O
=
6
6
1
O
15
6
6
-
-
-
-
-
6
-
R
=
9
7
1
R
18
9
9
-
-
-
-
-
-
9
S
=
1
8
1
S
19
10
1
-
1
-
-
-
7
-
R
=
9
9
1
R
18
9
9
-
-
-
-
-
-
9
E
=
5
10
1
E
5
5
5
-
-
-
-
5
8
-
A
=
1
11
1
A
1
1
1
-
1
-
-
-
7
-
C
=
3
12
1
C
3
3
3
-
-
-
3
-
-
-
T
=
2
13
1
T
20
2
2
-
-
2
-
-
-
-
O
=
6
14
1
O
15
6
6
-
-
-
-
-
6
-
R
=
9
13
1
R
18
9
9
-
-
-
-
-
-
9
S
=
1
16
1
S
19
10
1
-
1
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
72
4
16
CREATORS REACTORS
198
90
72
-
4
4
6
10
12
36
-
-
7+2
-
1+6
-
1+9+8
9+0
2+8
-
-
-
-
1+0
1+2
3+6
Q
-
9
-
7
CREATORS REACTORS
18
9
9
-
4
4
6
1
3
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
Q
-
9
-
7
CREATORS REACTORS
9
9
9
-
4
4
6
1
3
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
5
6
9
C
=
3
-
8
CREATORS
99
36
9
-
-
-
-
-
-
-
R
=
9
-
8
REACTORS
99
36
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
5
6
9
A
=
1
4
1
A
1
1
1
-
1
-
-
-
7
-
S
=
1
8
1
S
19
10
1
-
1
-
-
-
7
-
A
=
1
11
1
A
1
1
1
-
1
-
-
-
7
-
S
=
1
16
1
S
19
10
1
-
1
-
-
-
7
-
T
=
2
13
1
T
20
2
2
-
-
2
-
-
-
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
-
C
=
3
1
1
C
3
3
3
-
-
-
3
-
-
-
C
=
3
12
1
C
3
3
3
-
-
-
3
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
5
7
-
E
=
5
10
1
E
5
5
5
-
-
-
-
5
8
-
O
=
6
6
1
O
15
6
6
-
-
-
-
-
6
-
O
=
6
14
1
O
15
6
6
-
-
-
-
-
6
-
R
=
9
2
1
R
18
9
9
-
-
-
-
-
-
9
R
=
9
7
1
R
18
9
9
-
-
-
-
-
-
9
R
=
9
9
1
R
18
9
9
-
-
-
-
-
-
9
R
=
9
13
1
R
18
9
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
72
4
16
CREATORS REACTORS
198
90
72
-
4
4
6
10
12
36
-
-
7+2
-
1+6
-
1+9+8
9+0
2+8
-
-
-
-
1+0
1+2
3+6
Q
-
9
-
7
CREATORS REACTORS
18
9
9
-
4
4
6
1
3
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
Q
-
9
-
7
CREATORS REACTORS
9
9
9
-
4
4
6
1
3
9

 

 

C
=
3
-
8
CREATORS
99
36
9
R
=
9
-
8
REACTORS
99
36
9
-
-
12
-
16
First Total
198
72
18
-
-
1+2
-
1+6
Add to Reduce
1+9+8
7+2
1+8
-
-
3
-
7
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
3
-
7
Essence of Number
9
9
9

 

 

-
-
-
-
-
CREATORS
-
-
-
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
A
=
1
-
1
A
1
1
1
C
=
3
-
1
C
3
3
3
T
=
2
-
1
T
20
2
2
O
=
6
-
1
O
15
6
6
R
=
9
-
1
R
18
9
9
S
=
1
-
1
S
19
1
1
-
-
36
-
8
CREATORS-
99
36
36
-
-
3+6
-
-
-
9+9
3+6
3+6
-
-
9
-
8
CREATORS-
18
9
9
-
-
-
-
-
-
1+8
-
-
-
-
9
-
8
CREATORS
9
9
9

 

 

-
-
-
-
-
REACTORS
-
-
-
C
=
3
-
1
C
3
3
3
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
A
=
1
-
1
A
1
1
1
T
=
2
-
1
T
20
2
2
O
=
6
-
1
O
15
6
6
R
=
9
-
1
R
18
9
9
S
=
1
-
1
S
19
1
1
-
-
36
-
8
REACTORS
99
36
36
-
-
3+6
-
-
-
9+9
3+6
3+6
-
-
9
-
8
REACTORS
18
9
9
-
-
-
-
-
-
1+8
-
-
-
-
9
-
8
REACTORS
9
9
9

 

 

CREATOR
REACTOR
CREATORS 9
REACTORS 9


CREATION
REACTION
CREATING
REACTING

KARMAS R A LIFE FILE

KARMA A MARK MADE.

 

 

Maat
From Wikipedia, the free encyclopedia

Maat

Goddess of Truth and Justice
Maat was both the goddess and the personification of truth and justice. Her ostrich feather represents truth.
Major cult center
All ancient Egyptian cities

Symbol
the ostrich feather

Consort

 

5
THOTH
-
-
-
-
T+H
28
10
1
1
O
15
6
6
1
T+H
28
10
1
5
THOTH
-
-
-

 

Thoth (in some accounts)

Parents
Ra

Maat or Ma'at was the ancient Egyptian concept of truth, balance, order, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, and the actions of both mortals and the deities, who set the order of the universe from chaos at the moment of creation. Her ideological counterpart was Isfet.

The earliest surviving records indicating that Maat is the norm for nature and society, in this world and the next, were recorded during the Old Kingdom, the earliest substantial surviving examples being found in the Pyramid Texts of Unas (ca. 2375 BCE and 2345 BCE).[1]

Later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth and their attributes are the similar. In other accounts, Thoth was paired off with Seshat, goddess of writing and measure, who is a lesser known deity.

After her role in creation and continuously preventing the universe from returning to chaos, her primary role in Egyptian mythology dealt with the weighing of souls (also called the weighing of the heart) that took place in the underworld, Duat.[2] Her feather was the measure that determined whether the souls (considered to reside in the heart) of the departed would reach the paradise of afterlife successfully.

Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws of the Creator.[3

 

THE WORD MAAT

I

AM AT MA AT AM

I

THAT

AM AT MAAT AM AT

 

 

 

3
THE
33
15
6
6
CIRCLE
50
32
5
2
OF
21
12
3
3
THE
33
15
6
5
CYCLE
48
21
3
19
First Total
185
95
23
1+9
Add to Reduce
1+8+5
9+5
2+3
10
Second Total
14
14
5
1+0
Reduce to Deduce
1+4
1+4
-
1
Essence of Number
5
5
5

 

 

Tat Tvam Asi - Wikipedia

https://en.wikipedia.org/wiki/Tat_Tvam_Asi

Tat Tvam Asi (Devanagari: ?????????), a Sanskrit phrase, translated variously as "Thou art that," (That thou art, That art thou, You are that, or That you are, or You'are it) is one of the Mahavakyas (Grand Pronouncements) in Vedantic Sanatana Dharma.
?In Advaita · ?In Vishishtadvaita · ?In Dvaita · ?Avadhuta Gita

 

3
TAT
41
5
5
4
TVAM
56
11
2
3
ASI
29
11
2
10
Add to Reduce
126
27
9
1+0
Reduce to Deduce
1+2+6
2+7
-
1
Essence of Numbers
9
9
9

 

 

SPIRIT I TRIPS I SPIRIT

VISHNU SHIVA BRAHMA KRISHNA

KA+N+RISH+N+AK

21+5+999+5+12

KA+N+RISH+N+AK

 

WHO ARE YOU?

I ASK U ASK I

?

I AM AN AKHU WITH MY MOUTH EQUIPPED

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
W
=
5
-
3
WHO
46
19
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
3
ARE
24
15
6
-
1
-
-
-
-
6
-
-
-
Y
=
7
-
3
YOU
61
16
7
-
-
-
-
-
-
-
7
-
-
-
-
13
-
9
?
131
50
14
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
2
AM
14
5
5
-
-
-
-
-
5
-
7
-
-
A
=
1
-
2
AN
15
6
6
-
1
-
-
-
-
6
-
-
-
A
=
1
-
4
AKHU
41
14
5
-
-
-
-
-
5
-
7
-
-
W
=
5
-
4
WITH
60
24
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
2
MY
38
11
2
-
-
2
-
7
-
-
7
-
-
M
=
4
-
5
MOUTH
77
23
5
-
-
-
-
-
5
-
7
-
-
E
=
5
-
8
EQUIPPED
93
48
3
-
-
-
3
-
7
-
-
-
-
-
-
30
-
28
-
347
140
41
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
30
-
28
First Total
347
14O
41
-
1
2
3
4
15
12
7
8
9
-
-
3+0
-
2+8
Add to Reduce
3+4+7
1+4+0
4+1
-
-
-
-
-
1+5
1+2
-
-
-
-
-
3
-
10
Second Total
14
5
5
-
1
2
3
4
6
3
7
8
9
-
-
-
-
1+0
Reduce to Produce
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
1
Essence of Number
5
5
5
-
1
2
3
4
6
3
7
8
9

 

 

John 3:16 - Wikipedia

https://en.wikipedia.org/wiki/John_3:16

For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life. (KJV) ...

John 3:16 (chapter 3, verse 16 of the Gospel of John) is one of the most widely quoted verses from the Christian Bible,[1] and has been called the most famous Bible verse.[2] It has also been called the "Gospel in a nutshell", because it is considered a summary of the central theme of traditional Christianity:[2]
For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life. (KJV)

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
HOLY BIBLE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
JOHN
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Chapter 3 Verse 16
-
3
-
-
3
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
F
=
6
-
3
FOR
39
21
3
-
-
-
3
-
-
-
7
-
-
G
=
7
-
3
GOD
26
8
8
-
-
3
-
-
-
-
-
8
-
S
=
1
-
2
SO
34
7
7
-
-
-
-
-
-
-
7
8
-
L
=
3
-
5
LOVED
58
22
4
-
-
-
-
4
-
7
7
-
-
T
=
2
-
3
THE
33
15
6
-
1
-
-
-
-
6
-
-
-
W
=
5
-
5
WORLD
72
27
9
-
-
-
3
-
-
-
-
-
9
T
=
2
-
4
THAT
49
13
4
-
-
-
-
4
-
7
7
-
-
H
=
8
-
2
HE
13
13
4
-
-
-
-
4
-
7
7
-
-
G
=
7
-
4
GAVE
35
17
8
-
-
3
-
-
-
-
-
8
-
H
=
8
-
3
HIS
36
18
9
-
-
-
3
-
-
-
-
-
9
O
=
6
-
4
ONLY
66
21
3
-
-
-
3
-
-
-
7
-
-
B
=
2
-
8
BEGOTTEN
88
34
7
-
-
-
-
-
-
-
7
8
-
S
=
1
-
3
SON
48
12
3
-
-
-
3
-
-
-
7
-
-
-
-
58
-
49
-
597
228
75
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
4
THAT
49
13
4
-
-
-
-
4
-
7
7
-
-
W
=
5
-
9
WHOSOEVER
130
49
4
-
-
-
-
4
-
7
7
-
-
B
=
2
-
9
BELIEVETH
88
43
7
-
-
-
-
-
-
-
7
8
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
7
7
-
-
H
=
8
-
3
HIM
30
21
3
-
-
-
3
-
-
-
7
-
-
S
=
1
-
6
SHOULD
79
25
7
-
-
-
-
-
-
-
7
8
-
N
=
4
-
3
NOT
49
13
4
-
-
-
-
4
-
7
7
-
-
P
=
7
-
6
PERISH
75
39
3
-
-
-
3
-
-
-
7
-
-
B
=
2
-
3
BUT
43
7
7
-
-
-
-
-
-
-
7
8
-
H
=
8
-
4
HAVE
36
18
9
-
-
-
-
-
-
7
7
-
9
E
=
5
-
11
EVERLASTING
132
51
6
-
-
-
-
-
-
6
7
-
-
L
=
3
-
4
LIFE
32
23
5
-
-
-
-
-
5
-
-
-
-
-
-
53
-
64
-
766
316
64
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
111
-
113
First Total
1363
544
139
-
1
2
15
24
10
12
35
16
27
-
-
1+1+1
-
1+1+3
Add to Reduce
1+3+6+3
5+4+4
1+3+6
-
-
-
1+5
2+4
1+0
1+2
3+5
1+6
2+7
-
-
3
-
5
Second Total
13
13
13
-
1
2
6
6
1
3
8
7
9
-
-
-
-
-
Reduce to Produce
1+3
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
3
-
5
Essence of Number
4
4
4
-
1
2
6
6
1
3
8
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
HOLY BIBLE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
JOHN
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Chapter 3 Verse 16
-
3
-
-
3
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
F
=
6
1
3
FOR
39
21
3
-
-
-
3
-
-
-
7
-
-
G
=
7
2
3
GOD
26
8
8
-
-
3
-
-
-
-
-
8
-
S
=
1
3
2
SO
34
7
7
-
-
-
-
-
-
-
7
8
-
L
=
3
4
5
LOVED
58
22
4
-
-
-
-
4
-
7
7
-
-
T
=
2
5
3
THE
33
15
6
-
1
-
-
-
-
6
-
-
-
W
=
5
6
5
WORLD
72
27
9
-
-
-
3
-
-
-
-
-
9
T
=
2
7
4
THAT
49
13
4
-
-
-
-
4
-
7
7
-
-
H
=
8
8
2
HE
13
13
4
-
-
-
-
4
-
7
7
-
-
G
=
7
9
4
GAVE
35
17
8
-
-
3
-
-
-
-
-
8
-
H
=
8
10
3
HIS
36
18
9
-
-
-
3
-
-
-
-
-
9
O
=
6
11
4
ONLY
66
21
3
-
-
-
3
-
-
-
7
-
-
B
=
2
12
8
BEGOTTEN
88
34
7
-
-
-
-
-
-
-
7
8
-
S
=
1
13
3
SON
48
12
3
-
-
-
3
-
-
-
7
-
-
T
=
2
14
4
THAT
49
13
4
-
-
-
-
4
-
7
7
-
-
W
=
5
15
9
WHOSOEVER
130
49
4
-
-
-
-
4
-
7
7
-
-
B
=
2
16
9
BELIEVETH
88
43
7
-
-
-
-
-
-
-
7
8
-
I
=
9
17
2
IN
23
14
5
-
-
-
-
-
5
7
7
-
-
H
=
8
18
3
HIM
30
21
3
-
-
-
3
-
-
-
7
-
-
S
=
1
19
6
SHOULD
79
25
7
-
-
-
-
-
-
-
7
8
-
N
=
4
20
3
NOT
49
13
4
-
-
-
-
4
-
7
7
-
-
P
=
7
21
6
PERISH
75
39
3
-
-
-
3
-
-
-
7
-
-
B
=
2
22
3
BUT
43
7
7
-
-
-
-
-
-
-
7
8
-
H
=
8
23
4
HAVE
36
18
9
-
-
-
-
-
-
7
7
-
9
E
=
5
24
11
EVERLASTING
132
51
6
-
-
-
-
-
-
6
7
-
-
L
=
3
25
4
LIFE
32
23
5
-
-
-
-
-
5
-
-
-
-
-
-
111
-
113
First Total
1363
544
139
-
1
2
15
24
10
12
35
16
27
-
-
1+1+1
-
1+1+3
Add to Reduce
1+3+6+3
5+4+4
1+3+6
-
-
-
1+5
2+4
1+0
1+2
3+5
1+6
2+7
-
-
3
-
5
Second Total
13
13
13
-
1
2
6
6
1
3
8
7
9
-
-
-
-
-
Reduce to Produce
1+3
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
3
-
5
Essence of Number
4
4
4
-
1
2
6
6
1
3
8
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
HOLY BIBLE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
JOHN
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Chapter 3 Verse 16
-
3
-
-
3
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
F
=
6
-
3
FOR
39
21
3
-
-
-
3
-
-
-
7
-
-
S
=
1
-
3
SON
48
12
3
-
-
-
3
-
-
-
7
-
-
O
=
6
-
4
ONLY
66
21
3
-
-
-
3
-
-
-
7
-
-
H
=
8
-
3
HIM
30
21
3
-
-
-
3
-
-
-
7
-
-
P
=
7
-
6
PERISH
75
39
3
-
-
-
3
-
-
-
7
-
-
L
=
3
-
5
LOVED
58
22
4
-
-
-
-
4
-
7
7
-
-
T
=
2
-
4
THAT
49
13
4
-
-
-
-
4
-
7
7
-
-
H
=
8
-
2
HE
13
13
4
-
-
-
-
4
-
7
7
-
-
W
=
5
-
9
WHOSOEVER
130
49
4
-
-
-
-
4
-
7
7
-
-
N
=
4
-
3
NOT
49
13
4
-
-
-
-
4
-
7
7
-
-
T
=
2
-
4
THAT
49
13
4
-
-
-
-
4
-
7
7
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
7
7
-
-
L
=
3
-
4
LIFE
32
23
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
-
-
-
-
6
-
-
-
E
=
5
-
11
EVERLASTING
132
51
6
-
-
-
-
-
-
6
7
-
-
B
=
2
-
8
BEGOTTEN
88
34
7
-
-
-
-
-
-
-
7
8
-
B
=
2
-
9
BELIEVETH
88
43
7
-
-
-
-
-
-
-
7
8
-
S
=
1
-
6
SHOULD
79
25
7
-
-
-
-
-
-
-
7
8
-
B
=
2
-
3
BUT
43
7
7
-
-
-
-
-
-
-
7
8
-
S
=
1
-
2
SO
34
7
7
-
-
-
-
-
-
-
7
8
-
G
=
7
-
3
GOD
26
8
8
-
-
3
-
-
-
-
-
8
-
G
=
7
-
4
GAVE
35
17
8
-
-
3
-
-
-
-
-
8
-
W
=
5
-
5
WORLD
72
27
9
-
-
-
3
-
-
-
-
-
9
H
=
8
-
3
HIS
36
18
9
-
-
-
3
-
-
-
-
-
9
H
=
8
-
4
HAVE
36
18
9
-
-
-
-
-
-
7
7
-
9
-
-
111
-
113
First Total
1363
544
139
-
1
2
15
24
10
12
35
16
27
-
-
1+1+1
-
1+1+3
Add to Reduce
1+3+6+3
5+4+4
1+3+6
-
-
-
1+5
2+4
1+0
1+2
3+5
1+6
2+7
-
-
3
-
5
Second Total
13
13
13
-
1
2
6
6
1
3
8
7
9
-
-
-
-
-
Reduce to Produce
1+3
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
3
-
5
Essence of Number
4
4
4
-
1
2
6
6
1
3
8
7
9

 

 

THE LORD GOD

 

T
=
2
-
3
THE
33
15
6
L
=
3
-
4
LORD
49
22
4
G
=
7
-
3
GOD
26
17
8
-
-
12
4
10
Add to Reduce
108
54
18
-
-
1+2
-
1+0
Reduce to Produce
1+0+8
5+4
1+8
Q
-
3
-
1
Essence of Number
9
9
9

 

 

Psalm 100:3 Know that the LORD is God. It is he who made us, and ...
biblehub.com/psalms/100-3.htm

Ezekiel 34:11,30,31 For thus said the Lord GOD; Behold, I, even I, will both search my …John 10:14-16,26-28 I am the good shepherd, and know my sheep, and ...

 

Jeremiah 32:27 "I am the LORD, the God of all mankind. Is anything ...
biblehub.com/jeremiah/32-27.htm

"I am the LORD God of all humanity. Nothing is too hard for me. JPS Tanakh 1917. Behold, I am the LORD, the God of all flesh; is there any thing too hard for Me ...

 

Who really is the God of Genesis? - creation.com
creation.com/who-really-is-the-god-of-genesis

... Adam and Eve in Genesis chapters 2 and 3,

where Moses uses the combined term Yahweh elohim, which the translators have rendered as 'the Lord God'.

 

"THE LORD GOD"

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LORD
49
22
4
-
-
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
2
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
3
-
5
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
-
-
-
7
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
R
=
9
6
1
R
18
9
9
-
-
-
3
-
-
-
-
-
9
D
=
4
7
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
G
=
7
8
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
O
=
6
9
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
D
=
4
10
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
54
4
10
THE LORD GOD
108
54
54
-
1
2
3
8
5
12
7
8
9
-
-
5+4
-
1+0
-
1+0+8
5+4
5+4
-
-
-
-
-
-
1+2
-
-
-
Q
-
9
-
1
THE LORD GOD
9
9
9
-
1
2
3
8
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LORD
49
22
4
-
-
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
2
2
2
-
1
2
-
-
-
-
-
-
-
L
=
3
4
1
L
12
3
3
-
1
-
3
-
-
-
-
-
-
D
=
4
7
1
D
4
4
4
-
1
-
-
4
-
-
-
-
-
D
=
4
10
1
D
4
4
4
-
1
-
-
4
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
1
-
3
-
5
-
-
-
-
O
=
6
5
1
O
15
6
6
-
1
-
-
-
-
6
8
-
-
O
=
6
9
1
O
15
6
6
-
1
-
-
-
-
6
8
-
-
G
=
7
8
1
G
7
7
7
-
1
-
-
-
-
-
7
8
-
H
=
8
2
1
H
8
8
8
-
1
3
-
-
-
-
-
8
-
R
=
9
6
1
R
18
9
9
-
1
-
3
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
54
4
10
THE LORD GOD
108
54
54
-
1
2
3
8
5
12
7
8
9
-
-
5+4
-
1+0
-
1+0+8
5+4
5+4
-
-
-
-
-
-
1+2
-
-
-
Q
-
9
-
1
THE LORD GOD
9
9
9
-
1
2
3
8
5
3
7
8
9

 

 

THE LORD GOD IS

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LORD
49
22
4
-
-
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
2
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
3
-
5
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
-
-
-
7
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
R
=
9
6
1
R
18
9
9
-
-
-
3
-
-
-
-
-
9
D
=
4
7
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
G
=
7
8
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
O
=
6
9
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
D
=
4
10
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
I
=
9
11
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
64
4
12
THE LORD GOD IS
136
73
64
-
1
2
3
8
5
12
7
8
18
-
-
6+4
-
1+2
-
1+3+6
7+3
6+4
-
-
-
-
-
-
1+2
-
-
1+8
Q
-
10
-
1
THE LORD GOD IS
10
10
10
-
1
2
3
8
5
3
7
8
9
-
-
1+0
-
1+0
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
Q
-
1
-
1
THE LORD GOD IS
10
10
1
-
1
2
3
8
5
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LORD
49
22
4
-
-
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
1
1
T
2
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
4
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
D
=
4
7
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
D
=
4
10
1
D
4
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
3
-
5
-
-
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
O
=
6
9
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
G
=
7
8
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
H
=
8
2
1
H
8
8
8
-
-
3
-
-
-
-
-
8
-
R
=
9
6
1
R
18
9
9
-
-
-
3
-
-
-
-
-
9
I
=
9
11
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
64
4
12
THE LORD GOD IS
136
73
64
-
1
2
3
8
5
12
7
8
18
-
-
6+4
-
1+2
-
1+3+6
7+3
6+4
-
-
-
-
-
-
1+2
-
-
1+8
Q
-
10
-
1
THE LORD GOD IS
10
10
10
-
1
2
3
8
5
3
7
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
Q
-
1
-
1
THE LORD GOD IS
10
10
1
-
1
2
3
8
5
3
7
8
9

 

 

What does it mean that God is Almighty? - GotQuestions.org
gotquestions.org/God-Almighty.html

Answer: In Hebrew, the title "God Almighty" is written as El Shaddai and probably means “God, the All-powerful One” or “The Mighty One of Jacob” (Genesis ...

 

1
I
9
9
9
2
ME
18
9
9
3
SAY
45
9
9
9
SUSTAINER
126
36
9
9
EL SHADDAI
63
36
9
-
EL
17
8
8
-
SH
27
9
9
-
ADD
9
9
9
-
A
1
1
1
-
I
9
9
9
9
EL SHADDAI
63
36
9

 

 

WHEN THE GODS CAME DOWN

LEGENDS OF THE UNDERWORLD

Alan Aldred 200

Page 277

"With these thoughts in mind, we can now read the biblical legends of Genesis 17 in an entirely new light:

And when Abram was ninety-nine years old, the LORD appeared to him and said. I am El-Shaddai walk before me and be perfect"

 

AND WHEN ABRAM WAS NINETY-NINE YEARS OLD, THE LORD APPEARED TO HIM AND SAID

I

AM

EL SHADDAI

WALK BEFORE ME AND BE THOU PERFECT

 

9
EL SHADDAI
63
36
9
-
EL
17
8
8
-
SH
27
9
9
-
ADD
9
9
9
-
A
1
1
1
-
I
9
9
9
9
EL SHADDAI
63
36
9

 

 

THE HOLY BIBLE

Scofield Reference

GENESIS

Page 26

C 17 V1: 1-27

The revelation of God as El Shaddai, Almighty God

And when Abram was ninety years old and nine, the LORD appeared to Abram and said unto him. I am the Almighty God walk before me, and be thou perfect.

 

 

My Name Is God Almighty | Desiring God
www.desiringgod.org/messages/my-name-is-god-almighty

30 Sep 1984 - And God said to Moses, "I am the Lord. I appeared to Abraham, to Isaac, and to Jacob, as God Almighty, but by my name the Lord I did not ...

 

 

A
=
1
-
8
ALMIGHTY
95
41
5
G
=
7
-
3
GOD
26
17
8
I
=
9
-
2
IS
28
10
1
-
-
17
4
13
First Total
149
68
14
-
-
1+7
-
1+3
Add to Reduce
1+4+9
6+8
1+4
Q
-
8
-
4
Second Total
14
14
5
-
-
-
-
-
Reduce to Produce
1+4
1+4
-
Q
-
8
-
4
Essence of Number
5
5
5

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
8
ALMIGHTY
95
41
5
-
-
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
1
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=
3
2
1
L
12
3
3
-
-
-
3
-
-
-
7
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
7
-
-
-
-
I
=
9
4
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
G
=
7
5
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
H
=
8
6
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
7
1
T
20
2
2
-
-
2
-
-
-
7
-
-
-
Y
=
7
8
1
Y
25
7
7
-
-
-
-
-
-
-
7
8
-
G
=
7
9
1
G
7
7
7
-
-
-
-
-
-
-
7
8
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
D
=
4
11
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
I
=
9
12
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
S
=
1
13
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
68
4
13
IS ALMIGHTY GOD
149
77
68
-
2
2
3
8
5
6
21
8
18
-
-
6+8
-
1+3
-
1+4+9
7+7
6+8
-
-
-
-
-
-
-
2+1
-
1+8
Q
-
14
-
4
IS ALMIGHTY GOD
14
14
14
-
2
2
3
8
5
6
3
8
9
-
-
1+4
-
-
-
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
Q
-
5
-
4
IS ALMIGHTY GOD
5
5
5
-
2
2
3
8
5
6
3
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
8
ALMIGHTY
95
41
5
-
-
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
1
1
A
1
1
1
-
1
-
-
-
5
-
-
-
-
S
=
1
13
1
S
19
10
1
-
1
-
-
-
5
-
-
-
-
T
=
2
7
1
T
20
2
2
-
-
2
-
-
5
7
-
-
-
L
=
3
2
1
L
12
3
3
-
-
-
3
-
5
-
7
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
5
-
-
-
-
D
=
4
11
1
D
4
4
4
-
-
-
-
4
5
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
5
6
8
-
-
Y
=
7
8
1
Y
25
7
7
-
-
-
-
-
5
-
7
8
-
G
=
7
9
1
G
7
7
7
-
-
-
-
-
5
-
7
8
-
G
=
7
5
1
G
7
7
7
-
-
-
-
-
5
-
7
8
-
H
=
8
6
1
H
8
8
8
-
-
-
-
-
5
-
-
8
-
I
=
9
4
1
I
9
9
9
-
-
-
3
-
5
-
-
-
9
I
=
9
12
1
I
9
9
9
-
-
-
3
-
5
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
68
4
13
IS ALMIGHTY GOD
149
77
68
-
2
2
3
8
5
6
21
8
18
-
-
6+8
-
1+3
-
1+4+9
7+7
6+8
-
-
-
-
-
-
-
2+1
-
1+8
Q
-
14
-
4
IS ALMIGHTY GOD
14
14
14
-
2
2
3
8
5
6
3
8
9
-
-
1+4
-
-
-
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
Q
-
5
-
4
IS ALMIGHTY GOD
5
5
5
-
2
2
3
8
5
6
3
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
6
7
8
9
A
=
1
-
8
ALMIGHTY
95
41
5
-
-
-
-
-
-
-
-
-
G
=
7
-
3
GOD
26
17
8
-
-
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
6
7
8
9
A
=
1
1
1
A
1
1
1
-
1
-
-
-
-
-
-
-
S
=
1
13
1
S
19
10
1
-
1
-
-
-
-
-
-
-
T
=
2
7
1
T
20
2
2
-
-
2
-
-
7
-
-
-
L
=
3
2
1
L
12
3
3
-
-
-
3
-
-
7
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
-
-
-
-
D
=
4
11
1
D
4
4
4
-
-
-
-
4
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
6
8
-
-
Y
=
7
8
1
Y
25
7
7
-
-
-
-
-
-
7
8
-
G
=
7
9
1
G
7
7
7
-
-
-
-
-
-
7
8
-
G
=
7
5
1
G
7
7
7
-
-
-
-
-
-
7
8
-
H
=
8
6
1
H
8
8
8
-
-
-
-
-
-
-
8
-
I
=
9
4
1
I
9
9
9
-
-
-
3
-
-
-
-
9
I
=
9
12
1
I
9
9
9
-
-
-
3
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
68
4
13
IS ALMIGHTY GOD
149
77
68
-
2
2
3
8
6
21
8
18
-
-
6+8
-
1+3
-
1+4+9
7+7
6+8
-
-
-
-
-
-
2+1
-
1+8
Q
-
14
-
4
IS ALMIGHTY GOD
14
14
14
-
2
2
3
8
6
3
8
9
-
-
1+4
-
-
-
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
Q
-
5
-
4
IS ALMIGHTY GOD
5
5
5
-
2
2
3
8
6
3
8
9

 

 

-
99
99
18
9
10
NAMES OF GOD
99
45
9
-
A-
-
-
-
-
A-
-
-
-
3
THE
33
15
6
10
NINETYNINE
129
57
3
10
NAMES OF GOD
99
45
9
23
Add to Reduce
261
117
18
2+3
Reduce to Deduce
2+6+1
1+1+7
1+8
5
Essence of Number
9
9
9

 

 

 

6
HEAVEN
-
-
-
6
H+E+A
14
14
5
5
V+E+N
41
14
5
6
HEAVEN
55
28
10
-
-
5+5
2+8
1+0
6
HEAVEN
10
10
1
=
=
1+0
1+0
-
6
HEAVEN
1
1
1

 

IS 1836 IS 1836 IS 1836 IS 1836 IS 1836 IS 1836 IS 1836 IS 1836 IS 1836 IS

1836

AND KNOW QUESTIONS ASKED.

 

 

Hello darkness, my old friend
I've come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence

In restless dreams I walked alone
Narrow streets of cobblestone
'Neath the halo of a street lamp
I turned my collar to the cold and damp
When my eyes were stabbed by the flash of a neon light
That split the night
And touched the sound of silence

And in the naked light I saw
Ten thousand people maybe more
People talking without speaking
People hearing without listening
People writing songs that voices never shared
No one dared
Disturb the sound of silence

"Fools," said I, "you do not know
Silence like a cancer grows
Hear my words that I might teach you
Take my arms that I might reach you"
But my words like silent raindrops fell
And echoed in the wells of silence

And the people bowed and prayed
To the neon god they made
And the sign flashed out its warning
In the words that it was forming
And the sign said "The words of the prophets are written on the subway walls
And tenement halls
And whispered in the sound of silence"

"The Sound of Silence", originally "The Sounds of Silence", is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over a period of several months in 1963 and 1964.

 

 

DIAGNOSIS OF MAN

Kenneth Walker 1943

"It would indeed be possible to shorten the message of all mystics to those three words of the Vedantist, Tat Tvam Asi, Thou art the That. The description of the ‘That’ alone is variable. To the Platonist, it is the eternal idea;to the Hindu, it is Brahman; to the Buddhist, it is Purusha; and to the Sufi and the Christian, it is God.”

Page 157

"The change in the rate of perception that is a feature of higher states of consciousness is beautifully described in a remarkable passage of the Apocryphal Gospels, ‘The Book of James’

Now I, Joseph, was walking, and I walked not. And I looked
up into the air and saw the air in amazement. And I looked up into
the pole of heaven and saw it standing still, and the fowls of
the heaven without motion. And I looked upon the earth and
saw a dish set, and workmen lying by it, and their hands were in
the dish: and they that were chewing chewed not, and they that
were lifting the food lifted it not, and they that put it to their
mouth put it not thereto, but the faces of all of them were looking
upward. And behold there were sheep being driven, and they
went not forward but stood still; and the shepherd lifted his
hand to smite them with his staff, and his hand remained up. And
I looked upon the stream of the river and saw the mouths of the
kids upon the water, and they drank not. And of a sudden all
things moved onwards in their course. ”

 

 

Middle Eastern Mythology

S. H. Hooke 1963

Hebrew Mythology

Page 114

Recent Sumerian studies 5 have shown that the conception of a divine garden and of a state when sickness and death did not exist and wild animals did not prey on one another is to be found in Sumerian mythology. The description of this earthly Paradise is contained in the Sumerian poem which Dr Kramer has called the Epic of Emmerkar

The land Dilmun is a pure place, the land Dilmun is a clean place,

The land Dilmun is a clean place, the land Dilmun is a bright place,

In Dilmun the raven uttered no cry, The kite uttered not the cry of the kite, The lion killed not,

The wolf snatched not the lamb,

Unknown was the kid-killing dog, Unknown was the grain-devouring boar ..• The sick-eyed says not 'I am sick-eyed',

The sick·headed says not 'I am sick-headed',

Its (Dilmun's) old woman says not 'I am an old woman', Its old man says not 'I am an old man',

Unbathed is the maid, no sparkling water is poured in the city,

Who crosses the river (of death?) utters no ...

The wailing priests walk not about him,

The singer utters no wail,

By the side of the city he utters no lament

Later, in the Semitic editing of the Sumerian myths, Dilmun became the dwelling of the immortals, where Utnapishtim and his wife were allowed to live after the Flood (p. 49). It l.vas apparently located at the mouth of the Persian Gulf.

According to the Sumerian myth the only thing which Dilrnun lacked was fresh water; the god Enki (or Ea) ordered Utu, the sun-god, to 'bring up fresh water from the earth to water the garden. Here we may have the source of the / Page 114 / "mysterious 'ed of which the Yahwist speaks as coming up from the ground to water the garden.

In the myth of Enki and Ninhursag it is related that the mother-goddess Ninhursag caused eight plants to grow in the garden of the gods. Enki desired to eat these plants and sent his messenger Isimud to fetch them. Enki ate them one by one, and Ninhursag in her rage pronounced the curse of death upon Enki. As the result of the curse eight of Enki's bodily organs were attacked by disease and he was at the point of death. The great gods were in dismay and Enlil was powerless to help. Ninhursag was induced to return and deal with the situation. She created eight goddesses of healing who proceeded to heal each of the diseased parts of Enki's body. One of these parts was the god's rib, and the goddess who was created to deal with the rib was named Ninti, which means 'the lady of the rib'. But the Sumerian word ti has the double meaning of 'life' as well as 'rib', so that Ninti could also mean 'the lady of life'. We have seen that in the Hebrew myth the woman who was fashioned from Adam's rib was named by him Hawwah, meaning 'Life'. Hence one of the most curious features of the Hebrew myth of Paradise clearly has its origin in this somewhat crude Sumerian myth.

Other elements in the Yahwist's form of the Paradise myth have striking parallels in various Akkadian myths. The importance of the possession of knowledge, which is always magical knowledge, is a recurring theme. We have seen that the myth of Adapa and the Gilgamesh Epic are both concerned with the search for immortality and the problem of death and the existence of disease. These and other examples which we have cited will serve to illustrate the point that the Akkadian myths were concerned with the themes which appear in the Yahwist's Paradise story."

 

 

THE FULCANELLI PHENOMENON
Kenneth Rayner Johnson 1980

Page 259
"... Although most Western expositions of Tantra are wanting..." "...on the subject of the Tantric mysteries, ..." ",..One of the best and most detailed analyses of the system is contained in Kenneth Grants quartet of book;s, ..." "...In these books Grant unfolds some of the arcana..."
"... The bodily centres, or chakras, are also often referred to in Tantrik texts as padma, or lotuses, the mystical sacred flower of the Orient which in some senses corresponds to the mystic rose of European mYsticism. In a manner reminiscent of Fulcanelli's
/ Page 260 /
'phonetic' cabala' Grant interprets the lotus as the 'flow-er, the flowing one that gathers together all the mystical essences, "stars", or Kalas of the human body, and conveys them via the pudendum to the sacred leaf ready to receive them' The symbolism of these kalas, or sacred emanations, should already be obvious. ..." "... One of these kalas, or secretions, known as the sadhakya kala, which Grant says is the most secret of all, is the essence where time stands still; where time is NOT (My italics.)"

Page 261
"...Grant concedes that 'the mysterious science of Alchemy approximates closely to the Tantric doctrine
of the Kalas,'..."
Page 263
"It will be as well to recall here what Fulcanelli's reply was when Bergier asked him what the real nature
of alchemy consisted in. He said:
'The secret of alchemy is that there exists a means of manipulating matter and energy so as to create what modern science calls a force-field' This force field acts upon the observer and puts him in a privileged position in relation to the universe. From this privileged position he has access to realities that space and time matter and energy, normally conceal from us. This is what we call the Great Work.' "

Page 260

One of these kalas, or secretions, known as the sadhakya kala, which Grant says is the most secret of all, is the essence where time stands still; where time is NOT (My italics.)"

 

 

The Island Where Time Stands Still (Gregory Sallust) Dennis Wheatley ...

www.bloomsbury.com › Home › Fiction › Adventure

The Island Where Time Stands Still is the ninth in Dennis Wheatley's bestselling Gregory Sallust series featuring the debonair spy Gregory Sallust, a forerunner ...

 

THE

ISLAND WHERE TIME STANDS STILL

 

T
=
2
-
3
THE
33
15
6
I
=
9
-
6
ISLAND
59
23
5
W
=
5
-
5
WHERE
59
32
5
T
=
2
-
4
TIME
47
20
2
S
=
1
-
6
STANDS
77
14
5
S
=
1
-
5
STILL
72
18
9
-
-
20
4
26
First Total
347
122
32
-
-
2+0
-
2+6
Add to Reduce
3+4+7
1+2+2
3+2
Q
-
2
-
8
Second Total
14
5
5
-
-
-
-
-
Reduce to Produce
1+4
-
-
Q
-
2
-
8
Essence of Number
5
5
5

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875-1955

Page 511

"Hermetics - what a lovely word "
"...It sounds like magiking,and has all sorts of vague and extended associations .You must excuse my speaking of such a thing but it reminds me of the conserve jars that our housekeeper ..."
"...keeps in her larder. She has rows of them on her shelves, air-tight glasses full of fruit and meat and all sorts of things.They stand there maybe a whole year-you open them as you need them and the contents are as fresh as on the day they were put up, you can eat them just as they are.To be sure, that isn't alchemy or purification, it is simply conserving , hence the word conserve.The magic part of it lies in the fact that the stuff that is conserved is withdrawn from the effects of time, it is hermetically sealed from time, time passes it by, it stand there on its shelf shut away from time."

 

 

FOUR QUARTETS

T.S. Eliot

Burnt Norton is the first poem of T. S. Eliot's Four Quartets, first published in his Collected Poems 1909–1935 (1936).

BURNT NORTON
(No. 1 of 'Four Quartets')

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
1
-
-
-
-
6
-
-
-
S
=
1
-
5
STORY
97
25
7
-
-
-
-
-
-
-
7
8
-
-
-
3
-
8
-
130
40
13
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
-
-
-
-
6
-
-
-
B
=
2
-
9
BEGINNING
81
54
9
-
-
-
3
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
1
-
-
-
-
6
-
-
-
S
=
1
-
5
STORY
97
25
7
-
-
-
-
-
-
-
7
8
-
-
-
13
-
22
-
265
121
31
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
-
-
-
-
6
-
-
-
M
=
4
-
6
MIDDLE
47
29
2
-
-
2
3
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
1
-
-
-
-
6
-
-
-
S
=
1
-
5
STORY
97
25
7
-
-
-
-
-
-
-
7
8
-
-
-
15
-
19
-
231
96
24
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
1
-
-
-
-
6
-
-
-
E
=
5
-
3
END
23
14
5
-
-
-
3
-
5
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
7
-
-
T
=
2
-
3
THE
58
22
6
-
1
-
-
-
-
6
-
-
-
S
=
1
-
5
STORY
97
25
7
-
-
-
-
-
-
-
7
8
-
-
-
16
-
16
-
207
81
27
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
47
-
65
First Total
833
338
95
-
1
2
9
4
5
42
28
8
27
-
-
4+7
-
6+5
Add to Reduce
8+3+3
3+3+8
9+5
-
-
-
-
-
-
4+2
2+8
-
2+7
-
-
11
-
11
Second Total
14
14
14
-
1
2
9
4
5
6
10
8
9
-
-
1+1
-
1+1
Reduce to Produce
1+4
1+4
1+4
-
-
-
-
-
-
-
1+0
-
-
-
-
2
-
2
Essence of Number
5
5
5
-
1
2
9
4
5
6
1
8
9

 

THE

STORY ALL HAPPENING AT ONE AND THE SAME TIME

 

 

IN OUR TIME

Last broadcast on Thu, 18 Dec 2003, 21:30 on BBC Radio 4

"Melvyn Bragg and guests discuss the feat of astonishing intellectual engineering which provides us with millions of words in hundreds of languages. At the start of the twentieth century, in the depths of an ancient Egyptian turquoise mine on the Sinai peninsular, an archaeologist called Sir Flinders Petrie made an exciting discovery. Scratched onto rocks, pots and portable items, he found scribblings of a very unexpected but strangely familiar nature. He had expected to see the complex pictorial hieroglyphic script the Egyptian establishment had used for over 1000 years, but it seemed that at this very early period, 1700 BC, the mine workers and Semitic slaves had started using a new informal system of graffiti, one which was brilliantly simple, endlessly adaptable and perfectly portable: the Alphabet. This was probably the earliest example of an alphabetic script and it bears an uncanny resemblance to our own.

Did the alphabet really spring into life almost fully formed? How did it manage to conquer three quarters of the globe? And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there essentially only one alphabet anywhere in the world?"

 

 

Daily Mail, Monday, December 21, 2015

Page 45

ANSWERS TO CORRESPONDENTS
Charles Legge.

QUESTION If E is the most used
letter of our alphabet, in what order of usage are the remaining 25 letters?

CODEBREAKERS are especially interested in frequency analysis. The most basic encryption text is achieved by simply replacing one letter by another. So to decipher such an encryption, it's useful to get a encryption count of all the letters. The most frequent letter might represent the most common letter in English, E followed by T, A, O and I. The least frequent are Q, Z and X.
Common percentages in standard English are: e 12.7, t 9.1, a 8.2, o 7.5, i 7.0, n 6.7, s 6.3 h 6.1, r 6.0, d 4.3, I 4.0, u 2.8, c 2.8, m 2.4, IA 2.4, f 2.2, y 2.0, g 2.0, p 1.9, b 1.5, v 1.0, k 0.8 x 0.2, j 0.2, q 0.1, z 0.1. The top 12 letter: constitute about 80 per cent of the total usage. The top eight letters constitute about 65 per cent of total use.
Codebreakers also look for common pairings, for example the consonants TE and vowels EA. Other pairings are OF, TO IN, IT, IS, BE, AS, AT, SO, WE, HE, BY, OR ON, DO, IF, ME, MY, UP. Common pairs of repeated letters are SS, EE, TT, FF, LL MM and OO. Common triplets are THE EST, FOR, AND, HIS, ENT and THA. The use of letter frequencies and frequency analysis plays a fundamental role in cryptograms and word puzzle games such as Hangman and Scrabble. An example of applying the knowledge of English letter frequency to solving cryptogram is found in Edgar Allan Poe's famous story The Gold-Bug, where the method is successfully applied to decipher a message instructing on the whereabouts of a treasure hidden by Captain Kidd.
A. D. Butler Warrington, Cheshire.

 

T
=
2
-
5
THANK
54
18
9
Y
=
7
-
3
YOU
61
16
7
F
=
6
-
3
FOR
57
21
3
Y
=
2
-
4
YOUR
79
25
7
T
=
2
-
9
TREASURED
111
39
3
M
=
4
-
7
MEASURE
82
28
1
-
-
28
4
43
First Total
444
147
30
-
-
2+8
-
4+3
Add to Reduce
4+4+4
1+4+7
3+0
Q
-
10
-
7
Second Total
12
12
3
-
-
1+0
-
-
Reduce to Produce
1+2
1+2
-
Q
-
1
-
7
Essence of Number
3
3
3

 

THANK YOU FOR YOUR TREASURED MEASURE = 444

 

MIND BORN SONS, THOSE PATENT PATIENT PATENTED PATTERN MAKERS.
MIND=4 BORN=4 SONS=4 THOSE=4 PATENT=4 PATIENT=4 PATENTED=4 PATTERN=4 MAKERS=4

 

DECIPHER = 5 = DECIPHER

 

FOUR QUARTETS

T.S. Eliot

BURNT NORTON
(No. 1 of 'Four Quartets')

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.

 

 

Tat Tvam Asi - Wikipedia
https://en.wikipedia.org/wiki/Tat_Tvam_Asi

Tat Tvam Asi (Devanagari: a Sanskrit phrase, translated variously as "Thou art that," (That thou art, That art thou, You are that, or That you are, or You're it) is one of the Mahavakyas (Grand Pronouncements) in Vedantic Sanatana Dharma.

 

 

I = 9 = I

ME = 9 = ME

EGO = 9 = EGO

CONSCIENCE = 9 = CONSCIENCE

 

 

I THINK THEREFORE I AM

NOT

 

 

1
22
333
4444
55555
666666
7777777
88888888
999999999

one
twotwo
threethreethree
fourfourfourfour
fivefivefivefivefive
sixsixsixsixsixsix
sevensevensevensevensevensevenseven
eighteighteighteighteighteighteighteight
nineninenineninenineninenineninenine


ONE
TWOTWO
THREETHREETHREE
FOURFOURFOURFOUR
FIVEFIVEFIVEFIVEFIVE
SIXSIXSIXSIXSIXSIX
SEVENSEVENSEVENSEVENSEVENSEVENSEVEN
EIGHTEIGHTEIGHTEIGHTEIGHTEIGHTEIGHTEIGHT
NINENINENINENINENINENINENINENINENINE

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
34
-
36
Add
458
197
44
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
3+4
-
3+6
Reduce
4+5+8
1+9+7
4+4
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
7
4
9
Deduce
17
17
8
-
1
4
3
8
5
18
14
8
9
-
-
-
-
-
-
-
Produce
1+7
1+7
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
7
-
9
Essence
8
8
8
-
1
4
3
8
5
9
5
8
9

 

 

ONE
TWOTWO
THREETHREETHREE
FOURFOURFOURFOUR
FIVEFIVEFIVEFIVEFIVE
SIXSIXSIXSIXSIXSIX
SEVENSEVENSEVENSEVENSEVENSEVENSEVEN
EIGHTEIGHTEIGHTEIGHTEIGHTEIGHTEIGHTEIGHT
NINENINENINENINENINENINENINENINENINE

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
-
-
6
-
-
-
3
-
34
16
7
-
-
-
-
-
-
-
-
-
-
T
=
2
-
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
-
-
4
-
-
-
6
-
116
26
8
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
-
5
THREE
56
29
2
-
1
2
-
-
-
-
-
-
-
T
=
2
-
3
-
5
THREE
56
29
2
-
1
2
-
-
-
-
-
-
-
T
=
2
-
3
-
5
THREE
56
29
2
-
1
2
-
-
-
-
-
-
-
-
-
6
-
-
-
15
-
168
87
6
-
-
-
-
-
-
-
-
-
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
-
-
-
6
-
-
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
-
-
-
6
-
-
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
-
-
-
6
-
-
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
-
-
-
6
-
-
-
-
-
24
-
-
-
16
-
240
96
24
-
-
-
-
-
-
-
-
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
7
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
7
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
-
-
30
-
-
-
20
-
210
120
30
-
-
-
-
-
-
-
-
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
-
-
6
-
-
-
18
-
312
96
42
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
-
-
7
-
-
-
35
-
455
140
14
-
-
-
-
-
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
-
-
40
-
-
-
40
-
392
248
32
-
-
-
-
-
-
-
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
-
-
45
-
-
-
36
-
378
216
54
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
168
-
-
-
190
First Total
2305
1045
217
-
1
20
3
40
5
108
49
8
9
-
-
1+6+8
-
-
-
1+9+0
Add to Reduce
2+3+0+5
1+0+4+5
2+1+7
-
-
2+0
-
4+0
-
1+0+8
4+9
-
-
-
-
15
-
-
-
10
Second Total
10
10
10
-
1
2
3
4
5
9
13
8
9
-
-
1+5
-
-
-
1+0
Reduce to Produce
1+0
1+0
1+0
-
-
-
-
-
-
-
1+3
-
-
-
-
6
-
-
-
1
Essence of Number
1
1
1
-
1
2
3
4
5
9
4
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
=
2
-
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
3
-
5
THREE
56
29
2
-
1
2
-
-
-
-
-
-
-
T
=
2
-
3
-
5
THREE
56
29
2
-
1
2
-
-
-
-
-
-
-
T
=
2
-
3
-
5
THREE
56
29
2
-
1
2
-
-
-
-
-
-
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
-
-
-
6
-
-
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
-
-
-
6
-
-
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
-
-
-
6
-
-
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
-
-
-
6
-
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
7
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
7
-
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
-
-
168
-
-
-
190
First Total
2305
1045
217
-
1
20
3
40
5
108
49
8
9
-
-
1+6+8
-
-
-
1+9+0
Add to Reduce
2+3+0+5
1+0+4+5
2+1+7
-
-
2+0
-
4+0
-
1+0+8
4+9
-
-
-
-
15
-
-
-
10
Second Total
10
10
10
-
1
2
3
4
5
9
13
8
9
-
-
1+5
-
-
-
1+0
Reduce to Produce
1+0
1+0
1+0
-
-
-
-
-
-
-
1+3
-
-
-
-
6
-
-
-
1
Essence of Number
1
1
1
-
1
2
3
4
5
9
4
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
8
9
O
=
6
-
1
-
3
ONE
34
16
7
-
1
-
3
-
5
-
7
8
9
=
2
-
2
-
3
TWO
58
13
4
-
1
-
3
4
5
-
-
8
9
T
=
2
-
2
-
3
TWO
58
13
4
-
1
-
3
4
5
-
-
8
9
T
=
2
-
3
-
5
THREE
56
29
2
-
1
2
3
-
5
-
-
8
9
T
=
2
-
3
-
5
THREE
56
29
2
-
1
2
3
-
5
-
-
8
9
T
=
2
-
3
-
5
THREE
56
29
2
-
1
2
3
-
5
-
-
8
9
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
3
-
5
6
-
8
9
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
3
-
5
6
-
8
9
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
3
-
5
6
-
8
9
F
=
6
-
4
-
4
FOUR
60
24
6
-
1
-
3
-
5
6
-
8
9
F
=
6
-
5
-
4
FIVE
42
24
6
-
1
-
3
-
5
6
-
8
9
F
=
6
-
5
-
4
FIVE
42
24
6
-
1
-
3
-
5
6
7
8
9
F
=
6
-
5
-
4
FIVE
42
24
6
-
1
-
3
-
5
6
-
8
9
F
=
6
-
5
-
4
FIVE
42
24
6
-
1
-
3
-
5
6
7
8
9
F
=
6
-
5
-
4
FIVE
42
24
6
-
1
-
3
-
5
6
-
8
9
S
=
1
-
6
-
3
SIX
52
16
7
-
1
-
3
-
5
-
7
8
9
S
=
1
-
6
-
3
SIX
52
16
7
-
1
-
3
-
5
-
7
8
9
S
=
1
-
6
-
3
SIX
52
16
7
-
1
-
3
-
5
-
7
8
9
S
=
1
-
6
-
3
SIX
52
16
7
-
1
-
3
-
5
-
7
8
9
S
=
1
-
6
-
3
SIX
52
16
7
-
1
-
3
-
5
-
7
8
9
S
=
1
-
6
-
3
SIX
52
16
7
-
1
-
3
-
5
-
7
8
9
S
=
1
-
6
-
5
SEVEN
65
20
2
-
1
2
3
-
5
-
-
8
9
S
=
1
-
6
-
5
SEVEN
65
20
2
-
1
2
3
-
5
-
-
8
9
S
=
1
-
6
-
5
SEVEN
65
20
2
-
1
2
3
-
5
-
-
8
9
S
=
1
-
6
-
5
SEVEN
65
20
2
-
1
2
3
-
5
-
-
8
9
S
=
1
-
6
-
5
SEVEN
65
20
2
-
1
2
3
-
5
-
-
8
9
S
=
1
-
6
-
5
SEVEN
65
20
2
-
1
2
3
-
5
-
-
8
9
S
=
1
-
6
-
5
SEVEN
65
20
2
-
1
2
3
-
5
-
-
8
9
E
=
5
-
8
-
5
EIGHT
49
31
4
-
1
-
3
4
5
-
-
8
9
E
=
5
-
8
-
5
EIGHT
49
31
4
-
1
-
3
4
5
-
-
8
9
E
=
5
-
8
-
5
EIGHT
49
31
4
-
1
-
3
4
5
-
-
8
9
E
=
5
-
8
-
5
EIGHT
49
31
4
-
1
-
3
4
5
-
-
8
9
E
=
5
-
8
-
5
EIGHT
49
31
4
-
1
-
3
4
5
-
-
8
9
E
=
5
-
8
-
5
EIGHT
49
31
4
-
1
-
3
4
5
-
-
8
9
E
=
5
-
8
-
5
EIGHT
49
31
4
-
1
-
3
4
5
-
-
8
9
E
=
5
-
8
-
5
EIGHT
49
31
4
-
1
-
3
4
5
-
-
8
9
N
=
5
-
9
-
4
NINE
42
24
6
-
1
-
3
-
5
6
-
8
9
N
=
5
-
9
-
4
NINE
42
24
6
-
1
-
3
-
5
6
-
8
9
N
=
5
-
9
-
4
NINE
42
24
6
-
1
-
3
-
5
6
-
8
9
N
=
5
-
9
-
4
NINE
42
24
6
-
1
-
3
-
5
6
-
8
9
N
=
5
-
9
-
4
NINE
42
24
6
-
1
-
3
-
5
6
-
8
9
N
=
5
-
9
-
4
NINE
42
24
6
-
1
-
3
-
5
6
-
8
9
N
=
5
-
9
-
4
NINE
42
24
6
-
1
-
3
-
5
6
-
8
9
N
=
5
-
9
-
4
NINE
42
24
6
-
1
-
3
-
5
6
-
8
9
N
=
5
-
9
-
4
NINE
42
24
6
-
1
-
3
-
5
6
-
8
9
-
-
168
-
-
-
190
First Total
2305
1045
217
-
1
20
3
40
5
108
49
8
9
-
-
1+6+8
-
-
-
1+9+0
Add to Reduce
2+3+0+5
1+0+4+5
2+1+7
-
-
2+0
-
4+0
-
1+0+8
4+9
-
-
-
-
15
-
-
-
10
Second Total
10
10
10
-
1
2
3
4
5
9
13
8
9
-
-
1+5
-
-
-
1+0
Reduce to Produce
1+0
1+0
1+0
-
-
-
-
-
-
-
1+3
-
-
-
-
6
-
-
-
1
Essence of Number
1
1
1
-
1
2
3
4
5
9
4
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
2
4
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
-
3
ONE
34
16
7
-
-
-
-
7
=
2
-
2
-
3
TWO
58
13
4
-
-
4
-
-
T
=
2
-
2
-
3
TWO
58
13
4
-
-
4
-
-
T
=
2
-
3
-
5
THREE
56
29
2
-
2
-
-
-
T
=
2
-
3
-
5
THREE
56
29
2
-
2
-
-
-
T
=
2
-
3
-
5
THREE
56
29
2
-
2
-
-
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
-
-
6
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
-
-
6
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
-
-
6
-
F
=
6
-
4
-
4
FOUR
60
24
6
-
-
-
6
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
6
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
6
7
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
6
-
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
6
7
F
=
6
-
5
-
4
FIVE
42
24
6
-
-
-
6
-
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
7
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
7
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
7
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
7
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
7
S
=
1
-
6
-
3
SIX
52
16
7
-
-
-
-
7
S
=
1
-
6
-
5
SEVEN
65
20
2
-
2
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
2
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
2
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
2
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
2
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
2
-
-
-
S
=
1
-
6
-
5
SEVEN
65
20
2
-
2
-
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
4
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
4
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
4
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
4
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
4
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
4
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
4
-
-
E
=
5
-
8
-
5
EIGHT
49
31
4
-
-
4
-
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
6
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
6
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
6
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
6
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
6
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
6
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
6
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
6
-
N
=
5
-
9
-
4
NINE
42
24
6
-
-
-
6
-
-
-
168
-
-
-
190
First Total
2305
1045
217
-
20
40
108
49
-
-
1+6+8
-
-
-
1+9+0
Add to Reduce
2+3+0+5
1+0+4+5
2+1+7
-
2+0
4+0
1+0+8
4+9
-
-
15
-
-
-
10
Second Total
10
10
10
-
2
4
9
13
-
-
1+5
-
-
-
1+0
Reduce to Produce
1+0
1+0
1+0
-
-
-
-
1+3
-
-
6
-
-
-
1
Essence of Number
1
1
1
-
2
4
9
4

 

 

1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
2
-
4-
-
6
7
-
-
1
-
3
-
5
-
-
8
9
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9

 

 

T
=
2
-
3
TWO
58
13
4
F
=
6
-
4
FOUR
60
24
6
S
=
1
-
3
SIX
52
16
7
S
=
1
-
5
SEVEN
65
20
2
-
-
10
-
15
First Total
235
73
19
-
-
1+0
-
1+5
Add to Reduce
2+3+5
7+3
1+9
-
-
1
-
6
Second Total
10
10
10
-
-
-
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
1
-
6
Essence of Number
1
1
1

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
7
-
7
NUMBERS
92
56
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
1
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
7
1
S
19
1
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
56
4
7
NUMBERS
92
56
56
-
1
2
3
4
10
6
7
8
9
-
-
5+6
-
-
-
9+2
5+6
5+6
-
-
-
-
-
1+0
-
-
-
-
Q
-
11
-
7
NUMBERS
11
11
11
-
1
2
3
4
1
6
7
8
9
-
-
1+1
-
-
-
1+1
1+1
1+1
-
-
-
-
-
-
-
-
-
-
Q
-
2
-
7
NUMBERS
2
2
2
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
7
-
7
NUMBERS
92
56
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
7
1
S
19
1
1
-
1
-
-
-
-
-
-
-
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
N
=
5
1
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
56
4
7
NUMBERS
92
56
56
-
1
2
3
4
10
6
7
8
9
-
-
5+6
-
-
-
9+2
5+6
5+6
-
-
-
-
-
1+0
-
-
-
-
Q
-
11
-
7
NUMBERS
11
11
11
-
1
2
3
4
1
6
7
8
9
-
-
1+1
-
-
-
1+1
1+1
1+1
-
-
-
-
-
-
-
-
-
-
Q
-
2
-
7
NUMBERS
2
2
2
-
1
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
9
N
=
7
-
7
NUMBERS
92
56
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
9
S
=
1
7
1
S
19
1
1
-
1
-
-
-
-
-
B
=
2
4
1
B
2
2
2
-
-
2
-
-
-
-
U
=
3
2
1
U
21
3
3
-
-
-
3
-
-
-
M
=
4
3
1
M
13
4
4
-
-
-
-
4
-
-
N
=
5
1
1
N
14
5
5
-
-
-
-
-
5
-
E
=
5
5
1
E
5
5
5
-
-
-
-
-
5
-
R
=
9
6
1
R
18
9
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
56
4
7
NUMBERS
92
56
56
-
1
2
3
4
10
9
-
-
5+6
-
-
-
9+2
5+6
5+6
-
-
-
-
-
1+0
-
Q
-
11
-
7
NUMBERS
11
11
11
-
1
2
3
4
1
9
-
-
1+1
-
-
-
1+1
1+1
1+1
-
-
-
-
-
-
-
Q
-
2
-
7
NUMBERS
2
2
2
-
1
2
3
4
1
9

 

THE

LANGUAGE OF NUMBERS THE NUMBERS OF LANGUAGE

 

12
CALCULATIONS
130
40
4
8
CALCULUS
92
20
2

 

 

8
CALCULUS
-
-
-
-
-
-
-
C
3
3
3
-
-
3
-
A
1
1
1
-
1
-
-
L
12
3
3
-
-
3
-
C
3
3
3
-
-
3
-
U
21
3
3
-
-
3
-
L
12
3
3
-
-
3
-
U
21
3
3
-
-
3
-
S
19
10
10
-
1
-
8
CALCULUS
92
29
29
-
2
18
-
-
9+2
2+9
2+9
-
-
1+8
8
CALCULUS
11
11
11
-
2
9
-
-
1+1
1+1
1+1
-
-
-
8
CALCULUS
2
2
2
-
2
9

 

 

11
CALCULATION
-
-
-
-
-
-
-
C
3
3
3
-
-
3
-
A
1
1
1
-
1
-
-
L
12
3
3
-
-
3
-
C
3
3
3
-
-
3
-
U
21
3
3
-
-
3
-
L
12
3
3
-
-
3
-
A+T
21
3
3
-
-
3
-
I
9
9
9
-
-
-
-
O+N
29
11
2
-
2
-
11
CALCULATION
111
39
30
-
3
18
1+1
-
1+1+1
3+9
3+0
-
-
1+8
2
CALCULATION
3
12
3
-
3
9
-
-
-
1+2
-
-
-
-
2
CALCULATION
3
3
3
-
3
9

 

CALCULATION

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
C
=
3
-
11
CALCULATION
111
39
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
C
=
3
1
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
C
=
3
4
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
U
=
3
5
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
11
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
39
4
11
CALCULATION
111
39
39
-
2
2
15
4
5
6
7
8
9
-
-
3+9
-
1+1
-
1+1+1
3+9
3+9
-
-
-
1+5
-
-
-
-
-
-
Q
-
12
-
2
CALCULATION
3
12
12
-
2
2
6
4
5
6
7
8
9
-
-
1+2
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
Q
-
3
-
2
CALCULATION
3
3
3
-
2
2
6
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
5
6
9
C
=
3
-
11
CALCULATION
111
39
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
5
6
9
C
=
3
1
1
C
3
3
3
-
-
-
3
-
-
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
C
=
3
4
1
C
3
3
3
-
-
-
3
-
-
-
U
=
3
5
1
U
21
3
3
-
-
-
3
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
9
O
=
6
10
1
O
15
6
6
-
-
-
-
-
6
-
N
=
5
11
1
N
14
5
5
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
39
4
11
CALCULATION
111
39
39
-
2
2
15
5
6
9
-
-
3+9
-
1+1
-
1+1+1
3+9
3+9
-
-
-
1+5
-
-
-
Q
-
12
-
2
CALCULATION
3
12
12
-
2
2
6
5
6
9
-
-
1+2
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
Q
-
3
-
2
CALCULATION
3
3
3
-
2
2
6
5
6
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
5
6
9
C
=
3
-
11
CALCULATION
111
39
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
5
6
9
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
C
=
3
1
1
C
3
3
3
-
-
-
3
-
-
-
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
C
=
3
4
1
C
3
3
3
-
-
-
3
-
-
-
U
=
3
5
1
U
21
3
3
-
-
-
3
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
N
=
5
11
1
N
14
5
5
-
-
-
-
5
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
6
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
39
4
11
CALCULATION
111
39
39
-
2
2
15
5
6
9
-
-
3+9
-
1+1
-
1+1+1
3+9
3+9
-
-
-
1+5
-
-
-
Q
-
12
-
2
CALCULATION
3
12
12
-
2
2
6
5
6
9
-
-
1+2
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
Q
-
3
-
2
CALCULATION
3
3
3
-
2
2
6
5
6
9

 

 

MACBETH

William Shakespeare

Circa 1564 - 1616

Act 1 Scene 3

First Witch

I myself have all the other,
And the very ports they blow,
All the quarters that they know
I' the shipman's card.
I will drain him dry as hay:
Sleep shall neither night nor day
Hang upon his pent-house lid;
He shall live a man forbid:
Weary se'nnights nine times nine
Shall he dwindle, peak and pine:
Though his bark cannot be lost,
Yet it shall be tempest-tost.
Look what I have.

ALL

The weird sisters, hand in hand,
Posters of the sea and land,
Thus do go about, about:
Thrice to thine and thrice to mine
And thrice again, to make up nine.
Peace! the charm's wound up.

 

THREES = 3 = THREES

 

Macbeth Glossary - Weary se'n nights nine times nine shall he dwindle ...
www.shakespeare-online.com/plays/macbeth/.../macbeth1.../macbethglos_seven.html

Explanatory notes for Macbeth Act 1 Scene 3, from your trusted Shakespeare source.
Macbeth Glossary
se'n nights nine times nine (1.3.24)
The numbers seven and nine were mystical to almost every civilization in history, but nine is particularly important to the forces of evil. The witches, followers of Satan, would delight in inverting and reversing numbers and symbols, and 9 would invert to 6. Three sixes are, of course, the number of the beast.

CALCULATIONS

 

-
-
-
-
-
-
-
-
-
-
1
2
3
5
6
9
-
-
-
-
-
CALCULATIONS
-
-
-
-
-
-
-
-
-
-
C
=
3
1
1
C
3
3
3
-
-
-
3
-
-
-
A
=
1
2
1
A
1
1
1
-
1
-
-
-
-
-
L
=
3
3
1
L
12
3
3
-
-
-
3
-
-
-
C
=
3
4
1
C
3
3
3
-
-
-
3
-
-
-
U
=
3
5
1
U
21
3
3
-
-
-
3
-
-
-
L
=
3
6
1
L
12
3
3
-
-
-
3
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
9
O
=
6
10
1
O
15
6
6
-
-
-
-
-
6
-
N
=
5
11
1
N
14
5
5
-
-
-
-
5
-
-
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
-
-
-
49
4
12
CALCULATIONS
130
49
40
-
3
2
15
5
6
9
-
-
4+0
-
1+2
-
1+3+0
4+9
4+0
-
-
-
1+5
-
-
-
Q
-
4
-
3
CALCULATIONS
4
13
4
-
3
2
5
5
6
9
-
-
-
-
-
-
-
1+3
-
-
-
-
-
-
-
-
Q
-
4
-
3
CALCULATIONS
4
4
4
-
3
2
5
5
6
9

 

 

-
-
-
-
-
-
-
-
-
-
1
3
9
C
=
3
-
-
CALCULATIONS
-
-
-
-
-
-
-
-
-
-
-
1
C
3
3
3
-
-
3
-
-
-
-
-
1
A
1
1
1
-
1
-
-
-
-
-
-
1
L
12
3
3
-
-
3
-
-
-
-
-
1
C
3
3
3
-
-
3
-
-
-
-
-
1
U
21
3
3
-
-
3
-
-
-
-
-
1
L
12
3
3
-
-
3
-
-
-
-
-
1
A+T
21
3
3
-
-
3
-
-
-
-
-
1
I
9
9
9
-
-
-
9
-
-
-
-
1
O+N+S
48
21
3
-
-
3
-
C
=
3
-
12
CALCULATIONS
130
49
40
-
1
21
9
-
-
-
-
1+2
-
1+3+0
4+9
4+0
-
-
2+1
-
C
=
3
-
3
CALCULATIONS
4
13
4
-
1
3
9
-
-
-
-
-
-
-
1+3
-
-
-
-
-
C
=
3
-
3
CALCULATIONS
4
4
4
-
1
3
9

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN, THE UNSEEN SEEN OF THE SCENE UNSEEN. THIS IS THE SCENE

SEE THE SEA SEE
C THAT C

SEE THE SEA SEE
SEE THE EARTH SEE
SEE THE HEART SEE.
SEE THERA SEE
SEE TERAH SEE
SEE ALL THAT C.

MAN E
MAN 5
MAN E SEE
AMEN NAME SEE
AMEN MANE NAME MEAN

WISE IS 5 IS 5 IS WISE
WISDOM
W IS DOM
5 IS 5
W IS DOM
IS WISDOM IN THE I OF THE BEHOLDER.

WHAT IS LIFE IF FULL OF CARE WE HAVE NO TIME TO STAND AND STARE
AT THE STARS STARE

ALL HAIL THE JEWEL IN THE CENTRE OF THE LOTUS.
ACTION RE ACTION
1 IS 1
8 IS 8
3 IS 3
6 IS 6
CREATION REACTION

NUCLEAR REACTION
UNCLEAR REACTION

ALIEN A LINE?.
A NILE EVEN
ALIENS
A LIFE ENTERS

THE FULLNESS OF EMPTINESS.

ONCE UPON A TIME...

ONCE UPON A TIME SAID SHE
ONCE UPON A TIME SAID HE.
HIS STORY HER STORY.

A STORY OF MYTH MAGIC AND SECRET DARING DO.

WHAT TIME IS IT SAID A MYSTERIOUS VOICE IN THE NIGHT.
IS 1836 IS
THAT TIME ALREADY?.
AYE TIS AYE!.

PLANET EARTH. THE RA
PLANT E PLANT
PLANT 5 PLANT

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SYZYGY
127
46
37
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
Y
=
7
2
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
Z
=
8
3
1
Z
26
8
8
-
-
-
-
-
-
-
-
8
-
Y
=
7
4
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
G
=
7
5
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
37
4
6
SYZYGY
127
46
37
-
1
2
3
4
5
6
28
8
9
-
-
3+7
-
-
-
1+2+7
4+6
3+7
-
-
-
-
-
-
-
2+8
-
-
Q
-
10
-
6
SYZYGY
10
10
10
-
1
2
3
4
5
6
10
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
1+0
-
-
Q
-
1
-
6
SYZYGY
1
1
1
-
1
2
3
4
5
6
1
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
6
SYZYGY
127
46
37
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
Y
=
7
2
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
Y
=
7
4
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
G
=
7
5
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
Y
=
7
6
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
Z
=
8
3
1
Z
26
8
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
37
4
6
SYZYGY
127
46
37
-
1
2
3
4
5
6
28
8
9
-
-
3+7
-
-
-
1+2+7
4+6
3+7
-
-
-
-
-
-
-
2+8
-
-
Q
-
10
-
6
SYZYGY
10
10
10
-
1
2
3
4
5
6
10
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
1+0
-
-
Q
-
1
-
6
SYZYGY
1
1
1
-
1
2
3
4
5
6
1
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
7
8
9
S
=
1
-
6
SYZYGY
127
46
37
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
Y
=
7
2
1
Y
25
7
7
-
-
7
-
-
Y
=
7
4
1
Y
25
7
7
-
-
7
-
-
G
=
7
5
1
G
7
7
7
-
-
7
-
-
Y
=
7
6
1
Y
25
7
7
-
-
7
-
-
Z
=
8
3
1
Z
26
8
8
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
37
4
6
SYZYGY
127
46
37
-
1
28
8
9
-
-
3+7
-
-
-
1+2+7
4+6
3+7
-
-
2+8
-
-
Q
-
10
-
6
SYZYGY
10
10
10
-
1
10
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
1+0
-
-
Q
-
1
-
6
SYZYGY
1
1
1
-
1
1
8
9

 

 

-
REDEMPTIVE
-
-
-
1
R
18
9
9
2
E+D
9
9
9
2
E+M
18
9
9
2
P+T
36
9
9
1
I
9
9
9
2
V+E
27
9
9
10
REDEMPTIVE
117
54
54
1+0
 
1+1+7
5+4
5+4
1
REDEMPTIVE
9
9
9

 

 

Daily Mail, Thursday, August 25, 2016

Page 64

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

QUESTION

Which novel took the longest to complete?

THOMAS MANN was a Nobel Prize-winning German author famed for his novella Death In Venice (1912) and his magnum opus The Magic Mountain (1924). Between 1923 and 1943, he published his novel quartet Joseph And His Brothers, retelling the stories of Genesis. It took 16 years to write.

The Persian classic Kelidar by Mahmoud Dowlatabadi was published in 1984 in a single volume of 950,000 words in 2,836 pages. It told the story of a Kurdish family in Iran who face hostility from neighbours, set against a backdrop of the years following World War II.

It took 15 years to write, a year longer than Proust's 13-volume A La Recherche Du Temps Perdu (In Search Of Lost Time), which, at 1,267,069 words and 3,031 pages, is considered the longest novel by Guinness World Records.
Juliette Paria, South Leigh, Oxon.

 

NOVEL

LOVE N LOVE

NOVEL

LOVE 5 LOVE

NOVEL

 

 

-
LOVE
--
-
-
2
L+O
27
9
9
2
V+E
27
9
9
4
LOVE
54
18
18
-
-
5+4
1+8
1+8
4
LOVE
9
9
9

 

 

-
LOVE EVOLVE LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
2
L+O
27
9
9
2
V+E
27
9
9
14
LOVE EVOLVE LOVE
189
63
63
1+4
-
1+8+9
6+3
6+3
5
LOVE EVOLVE LOVE
18
9
9
-
-
1+8
-
-
5
LOVE EVOLVE LOVE
9
9
9

 

 

-
EVOLVE LOVE EVOLVE
-
-
-
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
2
L+O
27
9
9
2
V+E
27
9
9
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
16
EVOLVE LOVE EVOLVE
216
72
72
1+6
-
2+1+6
7+2
7+2
7
EVOLVE LOVE EVOLVE
9
9
9
-
-
-
-
-
7
EVOLVE LOVE EVOLVE
9
9
9

 

 

-
EVOLVE LOVE LOVE EVOLVE
-
-
-
-
EVOLVE
-
-
-
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
-
EVOLVE
-
-
-
-
LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
-
LOVE
-
-
-
-
LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
-
LOVE
-
-
-
-
EVOLVE
-
-
-
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
-
EVOLVE
-
-
-
20
EVOLVE LOVE LOVE EVOLVE
270
90
45
2+0
-
2+7+0
9+0
4+5
2
EVOLVE LOVE LOVE EVOLVE
9
9
9
-
-
-
-
-
2
EVOLVE LOVE LOVE EVOLVE
9
9
9

 

4
LIVE
48
21
3
1
I
9
9
9
1
O
15
6
6
4
LOVE
54
18
9
10
Add to Reduce
126
54
27
1+0
Reduce to Deduce
1+2+6
5+4
2+7
1
Essence of Number
9
9
9

 

 

Daily Mail, Friday, July 29, 2016

Page 66

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

Grim game of throws

The die is cast: Playing dice in the Indian epic, The Mahabharata

QUESTION A key point in the Indian Mahabharata epic is a game of dice where two of the lead characters lose everything. What dice game would they have been playing?

DICE is one of the main factors that led to the Kurukshetra war, which arose from a dynastic succession struggle between two groups of cousins, the Kauravas and the Pandavas.

The main events in The Mahabharata took place between 850 BC and 650 BC. Duryodhana and his maternal uncle Shakuni entice the Pandavas to Hastinapur and win their kingdoms in a game of gambling. In the earliest incarnation of the tale, Shakuni cheats by magically obscuring the results. In later reworkings, Shakuni carves the dice from the bones of his dead brothers so they will obey his will.

Dicing, along with horse-racing, was one of the main amusements of the Vedic Indian, but the rules of the game are not well understood. Furthermore, it was not dice in the sense that we know it.

The classic source on the game is The Dice Game In Ancient India (1907), by German orientalist Heinrich Luders. According to him, the dice were made from brown nuts, probably from the vibhitaka tree (Terminalia bellerica), which grows as far north as the upper Indus River valley.

These hard nuts are almost round, but have five slightly flattened sides. They are about the size of hazelnuts or nutmeg, so quite unlike our cubical numbered dice.

In the ancient Indian game, each of the two players had a great number of dice. These were thrown alternately on to a carpet or board, until one of the players brought the total number of dice on the table up to a predetermined amount, called krta (which means done or complete).

It is thought that the game consisted in securing even numbers of dice, usually a number divisible by four, the krta.

The other three throws were the Tret, when three remained after division by four; the Dvapara, when two was the remainder; and the Kali, when one remained.

Kali was subsequently personified, in myth and ritual, as an evil fate that cannot be avoided. Each game could take just a few or many throws. The game's skill lay in the ability to count the large number of tokens quickly.

In later stories, the dice game becomes a well-known game called chaupar or passa. This was played with rectangular dice with four long sides that carried the numbers one to four. These dice were highly ornamented and made of various substances, including terracotta, ivory, bone, wood and vibhitaka nuts.

Dr Ken Warren, Glasgow

 

 

GREAT PHILOSOPHIES OF THE EAST

E. W. F. Tomlin 1952

Page 159

"Like the conpilers of the Old Testament: the editors of the Rig-Veda anthology were, careful to preserve intact material beloning to different epochs, We are thus able to trace the development of the early Aryan, religious consciousness , just as a reading of early and later parts of the Bible affords us an enlarged conception of the nature of the Hebrew Yahve. There is wisdom in this refusal on the part of priestly guardians to suppress the primitive elements of their faith; for these are better kept well before the eye than allowed to fester, as the result of exision, in that uneasy corner to be found in the most devout conscience. Some of the vedic hymns are merely satirical, such as that addressed 'To Frogs', which is considered to be a satire on the priesthood; or straightforward vers de societe- such as that on the 'The Gambler', of whose ('dice dearer than soma') it is said:

Downward they roll, and then spring quickly upward, and handless, force

The man with hands to serve them.

Cast on the board, like lumps of magic charcoal, though cold themselves, they burn

The heart to ashes."

 

 

THE MIND OF MIN

 

 

 

FINGERPRINTS

OF

THE

GODS

Graham Hancock

1995

 Page 411(number omitted)

GODS OF THE FIRST TIME

"According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3

 

-
PHARAOH + PYRAMID
-
-
-
7
PHARAOH
67
40
4
7
PYRAMID
86
41
5
14
PYRAMID + PHARAOH
153
81
18
1+4
-
1+5+3
8+1
1+8
5
PHARAOH + PYRAMID
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
P
=
7
-
7
PHARAOH
67
40
4
-
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PYRAMID
86
41
5
-
-
-
-
-
-
-
-
-
-
-
-
14
-
14
-
153
81
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
P
=
7
1
1
P
16
7
7
-
-
-
-
-
-
-
7
8
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
A
=
5
3
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
R
=
9
4
1
R
18
9
9
-
-
-
3
-
-
-
-
-
9
A
=
5
5
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
O
=
6
6
1
O
15
6
6
-
-
-
-
-
-
6
8
-
-
H
=
8
7
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
P
=
7
8
1
P
16
7
7
-
-
-
-
-
-
-
7
8
-
Y
=
7
9
1
Y
25
7
7
-
-
-
-
-
-
-
7
8
-
R
=
9
10
1
R
18
9
9
-
-
-
3
-
-
-
-
-
9
A
=
5
11
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
M
=
4
12
1
M
13
4
4
-
-
-
-
4
7
-
-
-
-
R
=
9
13
1
I
9
9
9
-
-
-
3
-
-
-
-
-
9
D
=
4
14
1
D
4
4
4
-
-
-
-
4
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
81
4
14
PHARAOH PYRAMID
153
81
81
-
3
2
3
8
5
6
21
16
27
-
-
8+1
-
1+4
-
1+5+3
8+1
8+1
-
-
-
-
-
-
-
2+1
1+6
2+7
Q
-
9
-
5
PYRAMID PHARAOH
9
9
9
-
3
2
3
8
5
6
3
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
P
=
7
-
7
PHARAOH
67
40
4
-
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PYRAMID
86
41
5
-
-
-
-
-
-
-
-
-
-
-
-
14
-
14
-
153
81
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
P
=
7
1
1
P
16
7
7
-
-
2
3
-
5
-
7
8
-
H
=
8
2
1
H
8
8
8
-
-
2
3
-
5
-
-
8
-
A
=
5
3
1
A
1
1
1
-
1
2
3
-
5
-
-
-
-
R
=
9
4
1
R
18
9
9
-
-
2
3
-
5
-
-
-
9
A
=
5
5
1
A
1
1
1
-
1
2
3
-
5
-
-
-
-
O
=
6
6
1
O
15
6
6
-
-
2
3
-
5
6
8
-
-
H
=
8
7
1
H
8
8
8
-
-
2
3
-
5
-
-
8
-
P
=
7
8
1
P
16
7
7
-
-
2
3
-
5
-
7
8
-
Y
=
7
9
1
Y
25
7
7
-
-
2
3
-
5
-
7
8
-
R
=
9
10
1
R
18
9
9
-
-
2
3
-
5
-
-
-
9
A
=
5
11
1
A
1
1
1
-
1
2
3
-
5
-
-
-
-
M
=
4
12
1
M
13
4
4
-
-
2
3
4
5
-
-
-
-
R
=
9
13
1
I
9
9
9
-
-
2
3
-
5
-
-
-
9
D
=
4
14
1
D
4
4
4
-
-
2
3
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
81
4
14
PHARAOH PYRAMID
153
81
81
-
3
2
3
8
5
6
21
16
27
-
-
8+1
-
1+4
-
1+5+3
8+1
8+1
-
-
-
-
-
-
-
2+1
1+6
2+7
Q
-
9
-
5
PYRAMID PHARAOH
9
9
9
-
3
2
3
8
5
6
3
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
4
6
7
8
9
P
=
7
-
7
PHARAOH
67
40
4
-
-
-
-
-
-
-
P
=
7
-
7
PYRAMID
86
41
5
-
-
-
-
-
-
-
-
-
14
-
14
-
153
81
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
6
7
8
9
P
=
7
1
1
P
16
7
7
-
-
-
-
7
8
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
8
-
A
=
5
3
1
A
1
1
1
-
1
-
-
-
-
-
R
=
9
4
1
R
18
9
9
-
-
-
-
-
-
9
A
=
5
5
1
A
1
1
1
-
1
-
-
-
-
-
O
=
6
6
1
O
15
6
6
-
-
-
6
8
-
-
H
=
8
7
1
H
8
8
8
-
-
-
-
-
8
-
P
=
7
8
1
P
16
7
7
-
-
-
-
7
8
-
Y
=
7
9
1
Y
25
7
7
-
-
-
-
7
8
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
9
A
=
5
11
1
A
1
1
1
-
1
-
-
-
-
-
M
=
4
12
1
M
13
4
4
-
-
4
-
-
-
-
R
=
9
13
1
I
9
9
9
-
-
-
-
-
-
9
D
=
4
14
1
D
4
4
4
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
81
4
14
PHARAOH PYRAMID
153
81
81
-
3
8
6
21
16
27
-
-
8+1
-
1+4
-
1+5+3
8+1
8+1
-
-
-
-
2+1
1+6
2+7
Q
-
9
-
5
PYRAMID PHARAOH
9
9
9
-
3
8
6
3
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
4
6
7
8
9
P
=
7
-
7
PHARAOH
67
40
4
-
-
-
-
-
-
-
P
=
7
-
7
PYRAMID
86
41
5
-
-
-
-
-
-
-
-
-
14
-
14
-
153
81
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
4
6
7
8
9
A
=
5
3
1
A
1
1
1
-
1
-
-
-
-
-
A
=
5
5
1
A
1
1
1
-
1
-
-
-
-
-
A
=
5
11
1
A
1
1
1
-
1
-
-
-
-
-
M
=
4
12
1
M
13
4
4
-
-
4
-
-
-
-
D
=
4
14
1
D
4
4
4
-
-
4
-
-
-
-
O
=
6
6
1
O
15
6
6
-
-
-
6
8
-
-
P
=
7
1
1
P
16
7
7
-
-
-
-
7
8
-
P
=
7
8
1
P
16
7
7
-
-
-
-
7
8
-
Y
=
7
9
1
Y
25
7
7
-
-
-
-
7
8
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
8
-
H
=
8
7
1
H
8
8
8
-
-
-
-
-
8
-
R
=
9
10
1
R
18
9
9
-
-
-
-
-
-
9
R
=
9
4
1
R
18
9
9
-
-
-
-
-
-
9
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
81
4
14
PHARAOH PYRAMID
153
81
81
-
3
8
6
21
16
27
-
-
8+1
-
1+4
-
1+5+3
8+1
8+1
-
-
-
-
2+1
1+6
2+7
Q
-
9
-
5
PYRAMID PHARAOH
9
9
9
-
3
8
6
3
7
9

 

PHARAOH + PYRAMID = 153 PYRAMID PHARAOH

THE LENGTH OF THE GRAND GALLERY IN THE GREAT PYRAMID OF GIZA IS 153 FEET

153' x 12'' = 1836''

 

-
PHARAOH + PYRAMID
-
-
-
7
PHARAOH
67
40
4
7
PYRAMID
86
41
5
14
PYRAMID + PHARAOH
153
81
18
1+4
-
1+5+3
8+1
1+8
5
PHARAOH + PYRAMID
9
9
9

 

 

Daily Mail,Tuesday, December 1, 2015

Page 58

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

QUESTION Ramesses II claimed a great victory af the — Battle of Kadesh and erected monuments and temples to the victory. But did he, In fact, lose this battle?

THE Poem of Pentaur is Ramesses II's official Egyptian record (along with The Bulletin) of his military victory over Hittite King Muwatalli II at the Battle of Kadesh (in what is now Syria) in 1273 or 1274 BC.

To reinforce the idea of his success, he had the poem inscribed on the walls of temples at Abydos, Luxor, Karnak, Abu Simbel and in his Ramesseum. It details his personal bravery and concludes that `all the lands and all the foreign countries being fallen prostrate beneath his sandals for eternity and everlasting'.

The first scholarly report on the battle, by James Henry Breasted in 1903, interpreted the poem as historical fact. But later evidence and a scoffing complaint by Hattusili, the Hittite king's brother, about the pharaoh's victorious depiction of the battle can be found in the Papyrus Raifet and Papyrus Sallie III.

The Hittites, an ancient Anatolian people whose capital was at Hattusa, now in central Turkey, had long been making incursions into Egypt. Ramesses II resolved to drive the menace from his borders once and for all.

The lynchpin to his campaign was the city of Kadesh, a centre of commerce at the time, held by the Hittites.

Ramesses marched from Egypt at the head of more than 20,000 men, divided into four divisions. He led the Amun‘ division with the Re, Ptah and Set divisions following. King Muwatalli assembled an army of his allies to prevent this invasion of his territory.

Over-enthusiastically, Ramesses -outran the rest of his force, and after hearing unreliable intelligence regarding the Hittite position from a pair of captured prisoners, he pitched his camp close to the town.

The Hittite armies, hidden behind the town, launched a surprise attack against the Amun division and quickly sent it scattering. Ramesses tried to rally his troops against the onslaught of Hittite chariots, but it wasn't until the arrival of relief forces from Amurru that the Hittite attack was forced back.

The Egyptians avoided an outright disaster at Kadesh, but it was a stalemate rather than the splendid victory that Ramesses later sought to portray.

After an unsuccessful attempt to gain further ground the following day, Ramesses headed back south to Egypt, bragging about his personal achievements in the battle.

The fact that the Hittites continued to occupy the city of Kadesh after the battle (and harried trade caravans from that site) supports their claim to having scored a victory over Ramesses.

But in the battle, the Pharoah and his army had driven the enemy from the field, inflicting heavy casualties (a claim supported by both accounts) and returned to Egypt with his forces intact.

The Battle of Kadesh has great historical significance in that it led directly to the world's first known peace treaty, in 1258 BC, in which Ramesses II of Egypt and Hattusili of the Hittites promised to respect each other's boundaries and not make war between their kingdoms.
Peter Smith, Durham.

 

 

R
=
9
-
-
RIVER
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
V+E
27
9
9
-
-
-
-
1
R
18
9
9
R
=
9
-
5
RIVER
72
36
36
-
-
-
-
-
-
7+2
3+6
3+6
R
=
9
-
5
RIVER
9
9
9

 

 

THE SPLENDOUR THAT WAS EGYPT

Margaret A. Murray

Appendix

4

The New Year of God

Cornhill Magazine 1934

Page 231/233

"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God, and the narrow streets are full of the soft sound of bare feet moving towards the Nile. The village lies on a strip of ground; one one side is the river, now swollen to its height, on the other are the floods of the inundation spread in a vast sheet of water to the edge of the desert. On a windy night the lapping of wavelets is audible on every hand; but to-night the air is calm and still, there is no sound but the muffled tread of unshod feet in the dust and the murmur of voices subdued in the silence of the night.

In ancient times throughout the whole of Egypt the night of High Nile was a night of prayer and thanks giving to the great god , the Ruler of the river, Osiris himself. Now it is only in this Coptic village that the ancient rite is preserved, and here the festival is still one of prayer and thanksgiving. In the great cities the New Year is a time of feasting and processions, as blatant and uninteresting as a Lord Mayor's Show, with that additional note of piercing vulgarity peculiar to the East.

In this village, far from all great cities, and-as a Coptic community-isolated from and therefore uninfluenced either by its Moslem neighbours or by foreigners, the festival is one of simplicity and piety. The people pray as of old to the Ruler of the river, no longer Osiris, but Christ; and as of old they pray for a blessing upon their children and their homes.

There are four appointed places on the river bank to which the village women go daily to fill their water-jars and to water their animals. To these four places the villagers are now making their way, there to keep the New Year of God.

The river gleams coldly pale and grey; Sirius blazing in the eastern sky casts a narrow path of light across the mile-wide waters. A faint glow low on the horizon shows where the moon will rise, a dying moon on the last day of the last quarter.

The glow gradually spreads and brightens till the thin crescent, like a fine silver wire, rises above the distant palms. Even in that attenuated form the moonlight eclipses the stars and the glory of Sirius is dimmed. The water turns to the colour of tarnished silver, smooth and glassy; the palm-trees close at hand stand black against the sky, and the distant shore is faintly visible. The river runs silently and without a ripple in the windless calm; the palm fronds, so sensitive to the least movement of the air, hang motionless and still; all Nature seems to rest upon this holy night.

The women enter the river and stand knee-deep in the running stream praying; they drink nine times, wash the face and hands, and dip themselves in the water. Here is a mother carrying a tiny wailing baby; she enters the river and gently pours the waternine times over the little head. The wailing ceases as the water cools the little hot face. Two anxious women hasten down the steep bank, a young boy between them; they hurriedly enter the water and the boy squats down in the river up to his neck, while the mother pours the water nine times with her hands over his face and shaven head. There is the sound of a little gasp at the first shock of coolness, and the mother laughs, a little tender laugh, and the grandmother says something under her breath, at which they all laugh softly together. After the ninth washing the boy stands up, then squats down again and is again washed nine times, and yet a third nine times; then the grandmother takes her turn and she also washes him nine times. Evidently he is very precious to the hearts of those two women, perhaps the mother's last surviving child. Another sturdy urchin refuses to sit down in the water, frightened perhaps, for a woman's voice speaks encouragingly, and presently a faint splashing and a little gurgle of childish laughter shows that he too is receiving the blessing of the Nauruz of God.

A woman stands alone, her slim young figure in its wet clinging garments silhouetted against the steel-grey water. Solitary she stands, apart from the happy groups of parents and children; then, stooping , she drinks from her once, pauses and drinks again; and so drinksnine times with a short pause between every drink and a longer pause between every three. Except for the movement of her hand as she lifts the water to her lips, she stands absolutely still, her body tense with the earnestness of her prayer, the very atmosphere round her charged with the agony of her supplication. Throughout the whole world there is only one thing which causes a woman to pray with such intensity, and that one thing is children. " This may be a childless woman praying for a child, or it may be that, in this land where Nature is as careless and wasteful of infant life as of all else, this a mother praying for the last of her little brood, feeling assured that on this festival of mothers and children her prayers must perforce be heard. At last she straightens herself, beats the water nine times with the corner of her garment, goes softly up the bank, and disappears in the darkness.

Little family parties come down to the river, a small child usually riding proudly on her father's shoulder. The men often affect to despise the festival as a woman's affair, but with memories in their hearts of their own mothers and their own childhood they sit quietly by the river and drink nine times. A few of the rougher young men fling themselves into the water and swim boisterously past, but public feeling is against them, for the atmosphere is one of peace and prayer enhanced by the calm and silence of the night.

Page 232 and 233 Continued.

For thousands of years on the night of High Nile the mothers of Egypt have stood in the great river to implore from the God of the Nile a blessing upon their children; formerly from a God who Himself has memories of childhood and a Mother. Now, as then, the stream bears on its broad surface the echo of countless prayers, the hopes and fears of human hearts; and in my memory remains a vision of the darkly flowing river, the soft murmur of prayer, the peace and calm of the New Year of God.

Abu Nauruz hallal.

 

THE WORD "NINE" OCCURS x 9 AND "NINTH" x 1

 

Page 231/233

"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God

 

N
=
5
-
6
NAURUZ
101
29
2
A
=
1
-
5
ALLAH
34
16
7
-
-
6
-
11
Add to Reduce
135
45
9
-
-
-
-
1+1
Reduce to Deduce
1+3+5
4+5
-
-
-
6
-
2
Essence of Number
9
9
9

 

Page 231/233

"Three o'clock and a still starlight night in mid-September in Upper Egypt. At this hour the village is usually asleep, but to-night it is a stir for this is Nauruz Allah, the New Year of God

 

T
=
2
-
3
THE
33
15
6
N
=
5
-
3
NEW
42
15
6
Y
=
7
-
4
YEAR
49
22
4
O
=
6
-
2
OF
21
12
3
G
=
7
-
3
GOD
26
17
8
-
-
27
-
15
Add to Reduce
171
81
27
-
-
2+7
-
1+5
Reduce to Deduce
1+7+1
8+1
2+7
-
-
9
-
6
Essence of Number
9
9
9

 

 

Daily Mail, Wednesday, May 11, 2016

Page 51

ANSWERS TO CORRESPONDENTS

Compiled by Charles Legge

The trail of Christ's Grail

QUESTION What is the origin of the Holy Grail story?
What is a 'grail'?

ACCORDING to Grail legend, the Holy Grail was the cup (or platter, cauldron or stone) from which Jesus drank at the Last Supper and which Joseph of Arimathea later used to collect drops of Jesus's blood at the crucifixion. Legend has it that Joseph then brought the cup to Britain, where it was lost. The Holy Grail then became part of Arthurian legend.

It was believed to be kept in a mysterious castle in a wasteland, guarded by a custodian called the Fisher King, who suffered from a wound that would not heal. His recovery and the renewal of the blighted lands depended on the successful completion of the quest to find the Grail. The magical properties attributed to the Holy Grail have been plausibly traced to the 'horn of plenty' of Celtic myth that satisfied the tastes and needs of all who ate and drank from it.

The Holy Grail first appeared in a written text in Chretien de Troyes's Old French verse romance, Perceval, le Conte du Graal from about 1180. De Troyes claimed he received knowledge of the tale from a book from his patron Philip, Count of Flanders.

His prologue specifically implies this was his source, ending 'it is the story of the Grail of which the count gave him the book'. But there is speculation as to whether this book existed: 12th-century writers were sensitive to the charge they invented stories for which they had no `authority'.

During the next half-century, several works, both in verse and prose, were written about the quest for the Grail although the story, and the principal character, vary from one work to another.

The word graal, as it was historically spelled, comes from Old French graal or great, cognate with Old Provençal grazal and Old Catalan gresal, meaning a cup or bowl of earthenware, wood or metal.

The most commonly accepted etymology derives it from Latin gradalis or gradale via an earlier form, cratalis, a derivative of crater or cratus, borrowed from the Greek krater, a large wine-mixing vessel. The Grail myth was revived in the lath century by romantic authors Scott and Tennyson, Pre-Raphaelite artists, and composers, notably Richard Wagner.

The story has persisted in novels by Charles Williams, C. S. Lewis, John Cowper Powys, in Dan Brown's The Da Vinci Code and the Indiana Jones movies.
Eric Lowndes, Leamington Spa, Warwickshire.

 

THE

HOLY GRAIL

A

HOLY GIRL

IS

 

 

 

 

The quality of mercy (Shakespeare quote)

From Wikipedia, the free encyclopedia

"The quality of mercy" refers to a quote by Portia in William Shakespeare's The Merchant of Venice; it occurs during Act IV, Scene 1, set in a Venetian Court of Justice.[1] It is the speech in which Portia begs Shylock for mercy. Some sources set apart the first four lines of the speech or refer only to the first four lines as the subject of "The quality of mercy".[2][3] Other sources refer to a longer portion of the speech but not the full 22 lines.[4]

 
The quality of mercy is not strain'd,
It droppeth as the gentle rain from heaven
Upon the place beneath: it is twice blest;
It blesseth him that gives and him that takes:
'Tis mightiest in the mightiest: it becomes
The throned monarch better than his crown;
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway;
It is enthroned in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God's
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy. I have spoke thus much
To mitigate the justice of thy plea;
Which if thou follow, this strict court of Venice
Must needs give sentence 'gainst the merchant there.
— The Merchant of Venice, Act 4, Scene 1

 

 

See Me, Feel Me - Wikipedia
https://en.wikipedia.org/wiki/See_Me,_Feel_Me

"See Me, Feel Me" is a song from The Who's 1969 album Tommy. It consists of two overture parts from Tommy, the second and third parts of the album's final song "We're Not Gonna Take It": "See Me, Feel Me" and "Listening To You". ... Writer(s) · Pete Townshend ·

Tommy: See me, feel me, touch me, heal me.
See me, feel me, touch me, heal me.
See me, feel me, touch me, heal me.
See me, feel me, touch me, heal me, heal me, heal me.

Chorus: Listening to you I get the music.
Gazing at you I get the heat.
Following you I climb the mountain.
I get excitement at your feet!
Right behind you I see the millions.
On you I see the glory.
From you I get opinions.
From you I get the story.
Listening to you I get the music.
Gazing at you I get the heat.
Following you I climb the mountain.
I get excitement at your feet!

[TOMMY AND CHORUS]

Right behind you I see the millions.
On you I see the glory.
From you I get opinions.
From you I get the story.
Listening to you I get the music.
Gazing at you I get the heat (heat).
Following you I climb the mountain.
I get excitement at your feet!
Right behind you I see the millions.
On you I see the glory.
From you I get opinions.
From you I get the story.
Ohhhhh, listening to you I get the music.
Gazing at you I get the heat.
Following you I climb the mountain.
I get excitement at your feet!
Right behind you I see the millions.
On you I see the glory.
From you I get opinions.
From you I get the story.
Listening to you!

 

 

THE DIVINE INVASION

Phillip K Dick 1981

The time you have waited for has come.

The work is complete: the final world is here.

He has been transplanted and is alive.

Mysterious voice in the night

Page 36

"That night as he lay sleeping a voice said softly to him, Herbert, Herbert.'

He opened his eyes. I'm not on standby,' he said, / Page 37 / thinking it was the mother ship. 'Dome Nine is active. Let me sleep.'

'Look,' the voice said.

He looked - and saw that his control board, which governed all his communications gear, was on fire. 'Jesus Christ,' he said, and reached for the wall switch, that would turn on the emergency fire extinguisher. But then he realized something. Something perplexing. Although the control board was burning, it was not consumed.

The fire dazzled him and burned his eyes. He shut his eyes and put his arm over his face. 'Who is it?' he said.

The voice said, 'It is Ehyeh.'

'Well,' Herb Asher said, amazed. It was the deity of the mountain, speaking to him openly, without an electronic interface. A strange sense of his own worthlessness overcame Herb Asher, and he kept his face covered. 'What do you want?' he said. 'I mean, it's late. This is my sleep cycle. '

'Sleep no more,' Yah said.

'I've had a hard day.' He was frightened.

Yah said, 'I command you to take care of the ailing girl. She is all alone. If you do not hasten to her side I will burn down your dome and all the equipment in it, as well as all you own besides. I will scorch you with flame until you wake up. You are not awake, Herbert, not yet, but 1 will cause you to be awake; I will make you rise up from your bunk and go and help her."

 

A
=
1
-
1
A
1
1
1
-
-
-
-
-
-
-
-
-
M
=
4
-
10
MYSTERIOUS
164
47
2
V
=
4
-
5
VOICE
54
27
9
I
=
9
-
2
IN
23
14
5
T
=
2
-
3
THE
33
15
6
N
=
5
-
5
NIGHT
58
31
4
-
-
25
4
26
Add to Reduce
333
135
27
-
-
2+5
-
2+6
Reduce to Deduce
3+3+3
1+3+5
2+7
Q
-
7
-
8
Essence of Number
9
9
9

 

 

T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
E
=
5
-
8
ELEPHANT
81
36
9
I
=
9
-
2
IN
23
14
5
T
=
2
-
3
THE
33
15
6
R
=
9
-
4
ROOM
61
25
7
-
-
25
4
17
First Total
198
90
27
-
-
2+5
-
1+7
Add to Reduce
1+9+8
9+0
2+7
Q
-
7
-
8
Second Total
18
9
9
-
-
-
-
-
Reduce to Produce
1+8
-
-
Q
-
7
-
8
Essence of Number
9
9
9

 

 

LIFE OUT THEIR

THE TRUTH OF - AND SEARCH FOR - EXTRATERRESTRIAL LIFE

Michael White 1998

Page 97

"The first venue for Phoenix was / Page 98 / Australia, where astronomers used the Parkes 64-metre antenna and the Mopra 22-metre antenna, both in New South Wales. Because Australia was the first site, a very high proportion of the stars in the targeted group were those seen only in the Southern Hemisphere, including 650 G-Dwarf stars. In 1996, the system was taken back to the National Radio Astronomy Observatory in West Virginia, where a 40-metre dish was used to follow through the next stage of the search. The project is currently established at the largest radio telescope in the world - the 305-metre Arcibo radio telescope in Puerto Rico.
At the time of going to press, the interstellar 'airwaves' remain silent, but no one involved in the Phoenix project thought there would be much chance of immediate success. And indeed, there are some astronomers who suggest that the official SETI teams are going about things the wrong way. They argue that radio telescopes should be turned towards the centre of the Milky Way, where the stars are far more densely packed and where, they say, there is a far greater chance of finding something interesting. But this has associated problems, not least of which is the fact that it would be very difficult to'separate the multitude of natural signals constantly emitted from so many stellar objects. As the British astronomer Michael Rowan-Robinson says: 'Looking along the plane of the galaxy, like looking at car headlights in a traffic jam, makes it very difficult to detect one source of radio emission from another. And, if such radio emissions would also fade away over distance, we would probably detect nothing.'
An alternative argument is that we should not be looking for radio signals at all. Some researchers suggest that an advanced alien race would have dispensed with radio long ago, and may be . sending information using lasers. Others assume that the majority of surviving civilisations in the Universe would be far in advance of us and might be located by searching for the heat they generate as a by-product of their energy-production systems.
The eminent American physicist, and one-time associate of Albert Einstein, Freeman Dyson, who works at the Institute of Advanced Study in Princeton, has proposed a scheme by which a very advanced technology could produce an almost limitless fuel / Page 99 / supply. He speculates that a sufficiently developed civilisation could harness the total energy output of their home sun by build­ing a sphere of receivers and energy converters around it. These 'Dyson spheres', as they have become known, would of course provide tremendous amounts of energy but would also radiate commensurate amounts of heat, which could be detected light­years away in the infrared region of the spectrum. Others have taken this idea even further by suggesting that civilisations perhaps millions of years in advance of our own could utilise the energy output of an entire galaxy, or even a cluster of galaxies, and that some of the many types of energy source we see in distant parts of the Universe are the waste products from such processes." This has led those involved with SETI to categorise potential civilis a­tions into three distinct classes.
Type-I cultures (which include us) are those which have developed to the point where they can exploit the natural resources of a single, home world. A Type-II civilisation would be capable of building something like Dyson spheres and processing the entire energy output of their sun. This level of development would almost certainly be associated with the ability to travel interstellar distances. Such cultures may also have developed means by which they could circumnavigate the hurdles presented by the light-speed restriction. A culture that had reached this stage of development would be thousands or perhaps tens of thousands of years in advance of us.
A Type-III civilisation would be millions of years ahead of us, / Page 100 / and would have developed the technology to utilise the entire resources of their galaxy, an ability which to us appears God-like but is actually possible within the laws of physics. It is nothing more supernatural than a consequence of a life-form starting their evolutionary development a little before us in relative, universal terms. To us, such beings would demonstrate God-like powers, but they too would have originated in a slurry of single-celled organisms on some far-distant planet. They would simply have had a longer time in which to develop.
This classification was first postulated in the 1960s, quickly becoming an internationally accepted standard. This was also the most active period of Soviet work on the search for alien civilisations, and on one occasion scientists in the USSR actually thought for a while that they had encountered a Type-III civilisation.
It was 1965, the Russians were leading the world in efforts to detect messages from ETs, and their top researcher was a man named Nikolai Kardashev (who was also the first to discuss seri­ously the idea of super-civilisations and civilisation types). One morning at the Crimea Deep Space Station, Kardashev's team detected an incredibly strong signal that was certainly of extrater­restrial origin. The interesting thing about it was not simply its power, but the fact that the signal seemed to slowly change frequency over time, sweeping through a broad band. This type of signal was quite unprecedented, and to the Soviet team almost certainly the fingerprint of a civilisation attempting to make contact.
Against his better judgement, but bowing to pressure from his colleagues, Kardashev decided to announce the finding publicly, declaring to the world's press that the source was almost certainly an extraterrestrial civilisation. Sadly, it was not to be. Within hours, scientists at Caltech in the US contacted their Russian colleagues to inform them that what they had observed fitted exactly the description of an object they too had detected a few months earlier and had been studying ever since. They called the source a 'quasar', or quasi-stellar object, and it was definitely not a signal from an advanced civilisation of any description.
Quasars are still only partially understood. Scientists know that they are tremendously powerful sources of electromagnetic radi-/ Page 101 / ation and that they are moving away from us at high speeds. They are believed to be extremely turbulent galaxies - a seething mass of matter and energy very different from our own stable Milky Way. It is suspected that at the heart of each quasar lies a black hole which traps within its intense gravitational field anything that approaches it. As matter and energy are sucked in, but before they disappear behind what physicists call the 'event horizon' (from which there is no return), they collide with other forms of matter already trapped there and emit energy that may just escape the gravitational clutches of the nearby black hole.
Quasars are fascinating and exotic stellar objects, and their close study has provided new insights into the nature of the Universe; but they are not the only strange objects to be discovered by acci­dent and mistaken for the hallmarks of extraterrestrial intelligence.
In 1967, a Ph.D. student at Cambridge University named Jocelyn Bell detected a strong, regular signal coming from deep space in the waterhole region of the spectrum. After reporting the findings to her supervisor, Anthony Hewish, they agreed they would not go public until they had investigated the signal fully. Gradually they eliminated all possible conventional sources until they realised that the signal was actually an emission from a strange object in deep space that was sending out an almost p.er­fectly regular pulse. The object was then found to be a neutron star, or 'pulsar', the remains of a dead star that had collapsed under its own gravitational field so much that the electrons orbiting the nucleus of the atoms making up the star had been jammed into the nuclei and fused with protons to form neutrons. This super-dense matter emits pulses with such regularity that pulsars are thought to be'the most accurate clocks in th'e Universe.
Since Bell and Hewish's discovery, other regular signals have been detected which have not originated from pulsars or any ter­restrial source, but have appeared only once. A team led by Professor Michael Horowitz at Harvard University has reported thirty-seven such signals during the past ten years, all within twenty-five light-years of Earth, but because they have not been repeated they do not qualify as genuine candidates for signals from a race trying to contact us. They could, of course, be one-off / Page 102 / leakages from specific events, but we might never know, and for scientists to analyse a signal properly, they need a repeated, strong, regular pulse.
So far, the most important find was a signal detected at the Ohio State University 'Big Ear' radio telescope in August 1977. Known by SETI researchers and enthusiasts as the 'Wow' signal, after the monosyllabic exclamation written on the computer print-out by an astonished astronomer at the station, it lasted exactly thirty-seven seconds and appears to have come from the direction of Sagittarius. Although, most strikingly, the signal was a narrow-band signal precisely at the hydrogen frequency of 1420 MHz, it has not been detected even a second time, in Sagittarius or anywhere else.
So, what of the future? Is the continuing search for intelligent life in the Universe a total waste of money, as its opponents insist, or are we perhaps on the threshold of a great discovery?
In commercial terms, SETI is potentially the greatest scientific bargain ever. The cost of the project to the US government was a tenth of 1 per cent of NASA's annual budget and is now financed privately, so even the die-hard sceptics cannot claim that it is drain on the tax-payer. Furthermore, the potential gains from the success of the project would be unparalleled in human history. Quite simply, there is absolutely nothing to lose in trying.
More problematic will be maintaining the momentum of a pro­ject which, year after year, fails to deliver the goods. The argument against this is that both pulsars and quasars were dis­covered indirectly through the efforts of SETI researchers, and it is also true that improvements in techniques. and development of new types of equipment used in the search will filter down into other areas of research and then on to everyday use.
However, one difficulty for future researchers will be the growing level of terrestrial interference. Some enthusiasts argue that we are currently living through a window of opportunity in the search for extraterrestrial intelligence, and that the embryonic communications revolution will soon work against our chances of detecting a pure signal from another world."

Page 99 notes

• For more than twenty-five years, astronomers have been observing sudden bursts of energy from a variety of different locations in the cosmos. They detect these bursts, which are thought to be the result of the most powerful explosions ever witnessed, by following a left-over trace of gamma rays (a form of electromagnetic radiation) that reach the Earth. There are literally hundreds of theories that attempt to explain these bursts, including the notion that they could be the result of the activities of some super-civilisation. Recently, one such burst was carefully monitored and found to have come from an explosion so powerful that in ten minutes the source produced more energy than the total output of our Sun during its life­time. Astronomers are actively chasing the source and the cause of this phenomenon and hope to solve the mystery after one more sustained observation of the effect. The trouble is, no one knows when or where the next one will be.

 

 

Daily Mail, Thursday, September 1, 2016

Page 17

As a mysterious burst of radio signal is detected from outer space...

Is this proof aliens are trying to contact us?

HUGE Russian telescope in a remote part of the Caucasus detects a mysterious burst - of radio signal coming from far away in outer space. It's traced to a 6.3 billion-year-old star in a constellation 94.4 light years away from Earth, meaning the radio waves have been travelling across the universe to us since 1922.

The implications are mind-blowing as scientists across the globe rush to their telescopes. Could it really be that an alien civilisation far more advanced than ours is
trying to make contact?

We've seen this gripping scenario play out a hundred times before in Hollywood feature films about alien contact.

Ultimately, the only question mark is whether they're trying to extend the hand of peace or are intent on hovering over the White House for a few nail-biting hours before blowing us all to kingdom come.

Only this time, the reports of a possible extraterrestrial transmission are real.

An international team from the U.S.-based Search For Extraterrestrial Intelligence (SETI) institute is investigating a burst of microwave radiation, lasting no more than two seconds, that was picked up on May 15 last year by the RATAN-600 observatory in Zelenchukskaya, a hilly region close to the border with Georgia.

The discovery was initially kept secret as the scientists involved wanted to announce it in their own time, but it has filtered out to a stunned star-gazing community.

After decades in which alien hunters have been fruitlessly scanning the stars, and finding no evidence that anyone else is out there, the news from Russia-has inevitably sparked enormous excitement.

SETI's biggest radio telescopes — the monstrous dishes of the Allen Telescope Array in California — have swung into action, focusing their attention on the signal's source in the vicinity of a sun-like star named, not so excitingly, HD 164595.

The star, which isn't visible to the naked eye, sits in the Hercules constellation.

The team has yet to find any signals matching those discovered by the Russians, but acknowledge they 'have not yet covered the full range of frequencies in which the signal could be located'.

The researchers who discovered the signal have called for the target solar system to be monitored permanently for any new possible communications.

The star appears to have a size and temperature similar to the Sun. The only known planet in its system is a `warm Neptune', so called because it is gaseous, like the planet Neptune.

This Neptune, however, orbits its sun in only 40 days. Though it is not considered likely as a source of life, there are probably other planets — rocky ones far more suitable for life cast — in the same system.

On one fact, the experts seem certain. If the signal really did come would from an extraterrestrial beacon, the aliens who sent it are hugely more advanced than we are.

jUST how advanced depends on whether they were targeting Earth or transmitting radio waves in all directions.

According to Seth Shostak, an astronomer at SETI, the energy a beacon would need to produce to send a signal in all directions this far into space would be a mind-blowing 100 quintillion watts.

`It's hundreds of times more than all the energy falling on the Earth from sunlight,' he says.

It goes without saying this would require a power source far beyond anything that exists on Earth.

SETI — which was founded in the Seventies and is financed by private donors and U.S. government agencies — uses its own scale, called the Kardashev after the Soviet astronomer who created it, to measure the advancement of an alien civilisation.

An extra-terrestrial culture that might be able to send such a signal in all directions would be a Kardashev Type II civilisation, capable of tapping all the energy of its sun.

The most popular hypothetical means of doing this is a so-called Dyson sphere (nothing to do with the vacuum cleaners), a Star Wars-style device that would cover the entire sun and transfer its energy to the planet.

If, however, rather than broadcasting in all directions, the alien civilisation is instead purposefully aiming its signal at us, the power it would need drops significantly, to a little over a trillion watts.

That's 100,000 times less power than is needed to send a signal throughout the universe, but it's still a huge amount — comparable to the total energy consumption of the Earth's entire human population.

'All the cars, all the planes, all the electronic devices, everything,' says Shostak. 'This is not a high-school science project.'

Such a radio signal could point to a (relatively) less advanced Kardashev Type I civilisation, which is only able to harness the sunlight falling on its planet.

But scientists don't think it likely that anyone would want to target our solar system with a strong signal.

After all, the star system from where the radio burst is believed to have come is so far away the inhabitants would not yet have picked up the radar and TV signals that would reveal.to them we exist. That is because neither existed 94 years ago: the time it would take for such signals to reach our possible `new neighbours'.

So, while the internet was sent into a frenzy about HD 164595, astronomers are more sceptical.

No one in the scientific community has said the signal must have definitely come from an extraterrestrial radio signal. In fact, as experts have warned, there are a other plausible explanations.

Radio interference from Earth is the most likely alternative. Radio telescopes have been known to pick up rogue signals caused by mobile phones, microwave ovens and even flushing lavatories.

Another possibility is stellar flares, sudden bursts of energy released by stars, which can produce the sort of one-off, powerful signal the Russian observatory detected.

A further potential explanation is that the spike in the radio wave was caused by a spy satellite.

The telescope that detected the signal, operated by the Russian Academy of Science, is the only one that has so far picked it up. Sceptics say they won't take the signal seriously as a possible extraterrestrial contact until it is recorded by another observatory.

After so many years on the trail, alien hunters are anxious to find corroborating evidence.

The astronomer Jill Tarter, the former head of SETI and the scientist on whom Jodie Foster's character was based in the alien encounter film Contact, is keeping an open mind. `HD 164595 — who knows? One telescope is not enough and an array is better,' she says.

It is no wonder they are keen for more information.

THE SIGNAL from HD 164595 is intriguing, because it comes from the vicinity of a sun-like star.

'If it's artificial, its strength is great enough that it was clearly made by a civilisation with capabilities beyond those of humankind,' says Douglas Vakoch, an astronomer at METI International, a research body that wants to send signals to extraterrestrials as well as pick up their messages.

Back on Earth, a squabble is growing. SETI has accused the Russian observatory of breaching stargazing protocol by not alerting other researchers in time for them to confirm its observation.

Some experts fear it may be too late to double-check the radio signal from the Hercules constellation, leaving it to become another so-called `Wow!' signal that extraterrestrial researchers pick up for a tantalising moment, but are frustratingly never able to explain.

In Ohio in 1977, astronomer Jerry Ehman famously registered a 72-second intense blast of radio waves from a group of stars called Chi Sagittarii and wrote 'Wow!' in his notes. The signal never returned.

But in some quarters, there are increasing hopes of an answer to the old question: is there anyone out there?

Scientists have assumed since the Fifties that if there are aliens, they may be beaming radio waves into space, deliberately or accidentally.

The question was to find the right frequency and then tune in. However, under-funding of research has meant experts have been able to scan only a tiny fraction of space.

A $100 million project, Breakthrough Listen, funded by Russian technology entrepreneur Yuri Milner and backed by the scientist Stephen Hawking, launched this year to re-energise the hunt for ET.

It has assigned two of the world's biggest radio telescopes to focus on the million nearest star systems.

Some sceptics, however, wonder whether it isn't terribly old-fashioned to be searching for radio waves, speculating that aliens may be communicating across the universe in far more technologically advanced ways.

Of course, the bigger question remains: does anyone out there actually want to contact us?
In his novel The War Of The Worlds, H. G, Wells had little doubt that the Martians, stuck on their cold, rocky planet, would covet Earth jealously.

But that was before Nasa sent out the unmanned Voyager spacecraft in 1977, loaded with golden phonograph records as messages from Earth to any, intelligent alien life that found them.

The records — accompanied by a printed message from the then U.S. President Jimmy Carter — provided supposedly representative images, sounds and music, including the noise of an industrial rivet gun, a picture of a Chinese dinner party and a recording of Johnny B. Goode by Chuck Berry.
But surely, if there is an alien civilisation orbiting star HD 164595, it sounds far too advanced to have anything so primitive as a record player.

 

E
=
5
-
-
ENERGY
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
-
-
-
-
2
G+Y
32
14
5
E
=
5
-
6
ENERGY
74
38
29
-
-
-
-
-
-
7+4
3+8
2+9
E
=
5
4
6
ENERGY
11
11
11
-
-
-
-
-
-
1+1
1+1
1+1
E
=
5
4
6
ENERGY
2
2
2

 

 

LIFE OUT THEIR

THE TRUTH OF - AND SEARCH FOR - EXTRATERRESTRIAL LIFE

Michael White 1998

Page 98

The eminent American physicist, and one-time associate of Albert Einstein, Freeman Dyson, who works at the Institute of Advanced Study in Princeton, has proposed a scheme by which a very advanced technology could produce an almost limitless fuel / Page 99 / supply. He speculates that a sufficiently developed civilisation could harness the total energy output of their home sun by build­ing a sphere of receivers and energy converters around it. These 'Dyson spheres', as they have become known, would of course provide tremendous amounts of energy but would also radiate commensurate amounts of heat, which could be detected light­years away in the infrared region of the spectrum. Others have taken this idea even further by suggesting that civilisations perhaps millions of years in advance of our own could utilise the energy output of an entire galaxy, or even a cluster of galaxies, and that some of the many types of energy source we see in distant parts of the Universe are the waste products from such processes." This has led those involved with SETI to categorise potential civilis a­tions into three distinct classes.
Type-I cultures (which include us) are those which have developed to the point where they can exploit the natural resources of a single, home world. A Type-II civilisation would be capable of building something like Dyson spheres and processing the entire energy output of their sun. This level of development would almost certainly be associated with the ability to travel interstellar distances. Such cultures may also have developed means by which they could circumnavigate the hurdles presented by the light-speed restriction. A culture that had reached this stage of development would be thousands or perhaps tens of thousands of years in advance of us.
A Type-III civilisation would be millions of years ahead of us, / Page 100 / and would have developed the technology to utilise the entire resources of their galaxy, an ability which to us appears God-like but is actually possible within the laws of physics. It is nothing more supernatural than a consequence of a life-form starting their evolutionary development a little before us in relative, universal terms. To us, such beings would demonstrate God-like powers, but they too would have originated in a slurry of single-celled organisms on some far-distant planet. They would simply have had a longer time in which to develop.
This classification was first postulated in the 1960s, quickly becoming an internationally accepted standard. This was also the most active period of Soviet work on the search for alien civilisations, and on one occasion scientists in the USSR actually thought for a while that they had encountered a Type-III civilisation.
It was 1965, the Russians were leading the world in efforts to detect messages from ETs, and their top researcher was a man named Nikolai Kardashev (who was also the first to discuss seri­ously the idea of super-civilisations and civilisation types). One morning at the Crimea Deep Space Station, Kardashev's team detected an incredibly strong signal that was certainly of extrater­restrial origin. The interesting thing about it was not simply its power, but the fact that the signal seemed to slowly change frequency over time, sweeping through a broad band. This type of signal was quite unprecedented, and to the Soviet team almost certainly the fingerprint of a civilisation attempting to make contact.

 

 

Daily Mail, Thursday, September 1, 2016

Page 17

As a mysterious burst of radio signal is detected from outer space...

Is this proof aliens are trying to contact us?

The most popular hypothetical means of doing this is a so-called Dyson sphere (nothing to do with the vacuum cleaners), a Star Wars-style device that would cover the entire sun and transfer its energy to the planet.

If, however, rather than broadcasting in all directions, the alien civilisation is instead purposefully aiming its signal at us, the power it would need drops significantly, to a little over a trillion watts.

That's 100,000 times less power than is needed to send a signal throughout the universe, but it's still a huge amount — comparable to the total energy consumption of the Earth's entire human population.

'All the cars, all the planes, all the electronic devices, everything,' says Shostak. 'This is not a high-school science project.'

Such a radio signal could point to a (relatively) less advanced Kardashev Type I civilisation, which is only able to harness the sunlight falling on its planet.

 

 

A
=
1
-
1
A
1
1
1
S
=
1
-
7
STRANGE
84
30
3
E
=
5
-
9
ENCOUNTER
115
43
7
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
T
=
2
-
5
THIRD
59
32
5
K
=
2
-
4
KIND
38
20
2
-
-
19
-
31
First Total
351
153
27
-
-
1+9
-
3+1
Add to Reduce
3+5+1
1+5+3
2+7
-
-
10
-
4
Second Total
9
9
9
-
-
1+0
-
-
Reduce to Deduce
-
-
-
-
-
1
-
4
Essence of Number
9
9
9

 

 

INTERSTELLAR 153 INTERSTELLAR

INTERSTELLAR 54 INTERSTELLAR

INTERSTELLAR 9 INTERSTELLAR

 

 

The Final Countdown by Europe

Lyrics:
10, 9, 8, 7, 6, 5, 4, 3, 2, 1
We're leaving together
But still it's farewell
And maybe we'll come back
To earth, who can tell?
I guess there is no one to blame
We're leaving ground
(Leaving ground)
Will things ever be the same again?

It's the final countdown
(The final countdown)

Ohh
We're heading for Venus and still we stand tall
'Cause maybe they've seen us and welcome us all, yeah
With so many light years to go and things to be found
(To be found)
I'm sure that we'll all miss her so

It's the final countdown
(The final countdown)
The final countdown
(Final countdown)
Ohh ho ohh

The final countdown, Ooh
It's the final countdown
(The final countdown)
The final countdown
(Final countdown)
Ohh

It's the final countdown
We're leaving together, Ooh
(The final countdown)
We'll all miss her so
It's the final countdown
(Final countdown), Ohh
It's the final countdown
Yeah

 

 

SHRI

KRISHNA

SHRI KRISHNA KRISHNA SHRI

 

 

WISDOM OF THE EAST

by Hari Prasad Shastri 1948

Page 8

"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'

 

 

MANY LIVES ARJUNA HAVE I LIVED

I

KRISHNA

REMEMBER THEM ALL ARJUNA THOU DOST NOT

 

 

-
SHRISTI
-
-
-
2
SH
27
18
9
1
R
18
9
9
1
I
9
9
9
2
ST
39
12
3
1
I
9
9
9
7
SHRISTI
102
57
39
-
-
1+0+2
5+7
3+9
7
SHRISTI
3
12
12
-
-
-
1+2
1+2
7
SHRISTI
3
3
3

 

 

OSIRIS SO IRIS SO OSIRIS

CHRISTOS SO CHRIST SO CHRISTOS

CHRIST ISIS CHRIST

 

 

FRATERNAL GREETINGS CITIZENS OF THE CITY OF NINE GATES

FRATERNAL GREETINGS CITIZENS OF PLANET EARTH

FRATERNAL GREETINGS CITIZENS OF THE UNIVERSE

FRATERNAL GREETINGS UNIVERSAL CITIZENS

 

THOUGHTS OF LOVE OF LIGHT AND OF PEACE UNTO ALL SENTIENT BEINGS

 

ENTERS THE NETERS

 

G
=
7
-
4
GONE
41
23
5
W
=
5
-
4
WEST
67
13
4
S
-
12
4
8
Add to Reduce
108
36
9
-
-
1+2
-
-
Reduce to Deduce
1+0+8
3+6
-
S
-
3
4
8
Essence of Number
9
9
9

 

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Chapter 16

Message in a Bottle?

Page 254

Professor Sagan then offers a comparison that is highly apposite to our present inquiry. 'Today,' he says:

we are again seeking messages from an ancient and exotic civilization, this time hidden from us not only in time, but in space. If we should receive a radio message from an extraterrestrial civilization, how could it possibly be understood? Extraterrestrial intelligence will be elegant, complex, internally consistent and utterly alien. Extraterrestrials would, of course, wish to make a message sent to us as comprehensible as possible. But how could they? Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere.3

 

'Today,' he says:

"Extraterrestrial intelligence will be elegant, complex, internally consistent and utterly alien"

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
5
TODAY
65
20
2
-
-
2
3
-
-
-
-
-
-
H
=
8
-
2
HE
13
13
4
-
-
-
3
4
-
-
-
-
-
S
=
1
-
4
SAYS
64
10
1
-
1
-
3
-
-
-
-
-
-
-
-
11
-
11
-
142
43
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
-
16
EXTRATERRESTRIAL
195
78
6
-
-
-
3
-
-
6
-
-
-
I
=
9
-
12
INTELLIGENCE
115
61
7
-
-
-
-
-
-
-
7
8
-
W
=
5
-
4
WILL
56
20
2
-
-
2
-
-
-
-
-
8
-
B
=
2
-
2
BE
7
7
7
-
-
-
-
-
-
-
7
8
-
E
=
5
-
7
ELEGANT
64
28
1
-
1
-
-
-
-
-
-
-
-
C
=
6
-
7
COMPLEX
88
34
7
-
-
-
-
-
-
-
7
8
-
I
=
9
-
10
INTERNALLY
130
49
4
-
-
-
-
4
-
-
7
-
-
C
=
3
-
10
CONSISTENT
138
39
3
-
-
-
3
-
-
-
7
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
U
=
3
-
7
UTTERLY
121
31
4
-
-
-
-
4
-
-
7
-
-
A
=
1
-
5
ALIEN
41
23
5
-
1
-
-
-
5
-
-
-
-
-
-
49
-
83
-
974
380
47
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
60
-
94
First Total
1116
477
54
-
3
4
3
12
5
6
21
8
9
-
-
6+0
-
9+4
Add to Reduce
1+1+1+6
4+7+7
5+4
-
-
-
-
1+2
-
-
2+1
-
-
-
-
6
-
13
Second Total
9
18
9
-
3
4
3
3
5
6
3
8
9
-
-
-
-
1+3
Reduce to Produce
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
4
Essence of Number
9
9
9
-
3
4
3
3
5
6
3
8
9

 

 

THE SIRIUS MYSTERY

Robert K.G.Temple 1976

Page 82

The Sacred Fifty

"We must return to the treatise 'The Virgin of the World'. This treatise is quite explicit in saying that Isis and Osiris were sent to help the Earth by giving primitive mankind the arts of civilization:
And Horus thereon said:

'How was it, mother, then, that Earth received God's Efflux?' And Isis said:

'I may not tell the story of (this) birth; for it is not permitted to describe the origin of thy descent, O Horus (son) of mighty power, lest afterwards the way-of-birth of the immortal gods should be known unto men - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while thy mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them.
'Tis they who filled life full of life. 'Tis they who caused the savagery of mutual slaughtering of men to cease. 'Tis they who hallowed precincts to the Gods their ancestors and spots for holy rites. 'Tis they who gave to men laws, food and shelter.'

"Page 73

A Fairy Tale

'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,

HE WHO IS LORD IN THE PERFECT BLACK.'

 

 

 

 

 

 

 
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